Kaiama L. Glover

Touching on the role and destiny of Haiti in the Americas, Haiti Unbound engages with long-standing issues of imperialism and resistance culture in the transatlantic world. Glover's timely project emphatically articulates Haiti's regional and global centrality, combining vital 'big picture' reflections on the field of postcolonial studies with elegant close-reading-based analyses of the philosophical perspective and creative practice of a distinctively Haitian literary phenomenon. Providing insightful and sophisticated blueprints for the reading and teaching of the Spiralists' prose fiction, it will serve as a point of reference for the works of these authors and for the singular socio-political space out of and within which they write.

"While Haiti established the second independent nation in the Western Hemisphere and was the first black country to gain independence from European colonizers, its history is not well known in the Anglophone world. The Haiti Reader introduces readers to Haiti's dynamic history and culture from the viewpoint of Haitians from all walks of life. Its dozens of selections--most of which appear here in English for the first time--constitute representative works from Haiti's scholarly, literary, religious, visual, musical, and political cultures, and range from poems, novels, and political tracts to essays, legislation, songs, and folk tales. Spanning the centuries between pre-contact indigenous Haiti to the aftermath of the 2010 earthquake, the Reader covers widely known episodes in Haiti's history, such as the U.S. military occupation and the Duvalier dictatorship, as well as overlooked periods such as the decades immediately following Haiti's "second independence" in 1934. Whether examining issues of political upheaval, the environment, and modernization, The Haiti Reader provides an unparalleled look at Haiti's history, culture, and politics"--

"In the Same Boats is a work of multimodal scholarship designed to encourage the collaborative production of humanistic knowledge within scholarly communities. Comprising two interactive visualizations that trace the movements of seminal cultural actors from the Caribbean and wider Americas, Africa, and Europe within the 20th century Afro-Atlantic world, the platform seeks to push back against the ways in which "Global South" intellectual production has been balkanized in the academy, its limits and contours largely determined by imperial metropoles." "The project presents opportunities to discover the extent to which Caribbean, African, Latin American, European, and Afro-American intellectuals have been in both punctual and sustained conversation with one another: attending the same conferences, publishing in the same journals and presses, active in the same political groups, perhaps even elbow-to-elbow in the same Parisian cafés and on the same transatlantic crossings – literally and metaphorically in the same boats – as they circulate throughout the Americas, Africa, Europe, and beyond."