Joy Damousi

War has been a key part of the Australian experience and central to many national mythologies. Yet more than most activities, war polarises femininity and masculinity. While there has been no shortage of military history, little has been written about Australia's military involvements from the perspective of gender. This exciting collection of essays explores for the first time the interrelationship of gender and war in Australia. Traditional images of Australians during wartime show the digger making history in battle while women play a supportive role as nurses or wives and mothers on the home front. Yet, as this book shows, war offers opportunities that erode gender boundaries. Women can be empowered economically, politically and sexually while the trauma of war can leave men emasculated. Gender and War focuses on women's and men's experiences in World War I, World War II and the Vietnam War. A team of leading writers addresses a range of subjects, including: female desire and sexuality in both world wars; women and the anti-conscription campaigns in World War I; gay men and lesbians in the military services; the crisis of masculinity during and after World War I and World War II and race and gender in World War I and Vietnam.

"This collection of essays approaches the history of psychoanalysis from a transnational perspective, emphasizing the flows of people, ideas and institutions across cultures and nations, and examining the factors that contributed to turn psychoanalysis into one of the systems of belief which defined the twentieth century. By examining aspects of this phenomenon across several continents, drawing on case studies from Brazil, Argentina, Australia, and the Netherlands, these essays provide a global and international consideration of the ways in which psychoanalytic ideas were circulated, contested and debated across place and time. Moving the history of psychoanalysis beyond the paradigm of national histories, this exciting new volume considers how ideas about the self, the unconscious and issues of modernity shaped understandings of the relationship between culture and self in distinctive ways."--Jacket.

"Colonial Voices explores the role of language in the greater 'civilising' project of the British Empire through the dissemination, reception and challenge to British English in Australia during the period from the 1840s to the 1940s. This was a period in which the art of oratory, eloquence and elocution was of great importance in the empire and Joy Damousi offers an innovative study of the relationship between language and empire. She shows the ways in which this relationship moved from dependency to independency and how, during that transition, definitions of the meaning and place of oratory, eloquence and elocution shifted. Her findings reveal the central role of voice and pronunciation in informing and defining both individual and collective identity as well as wider cultural views of class, race, nation and gender. The result is a pioneering contribution to cultural history and the history of English within the British Empire"--

Diversity in Leadership: Australian women, past and present provides a new understanding of the historical and contemporary aspects of Indigenous and non-Indigenous women?s leadership in a range of local, national and international contexts.

Historians have, until recently, been silent about sound. This collection of essays on talking and listening in the age of modernity brings together major Australian scholars who have followed Alain Corbin’s injunction that historians ‘can no longer afford to neglect materials pertaining to auditory perception’. Ranging from the sound of gunfire on the Australian gold-fields to Alfred Deakin’s virile oratory, these essays argue for the influence of the auditory in forming individual and collective subjectivities; the place of speech in understanding individual and collective endeavours; the centrality of speech in marking and negating difference and in struggles for power; and the significance of the technologies of radio and film in forming modern cultural identities.