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Jan 1, 1893 — Jan 1, 1970· 77 yrs

UNITED STATES AUTHOR · NATURAL HISTORY · BIOGRAPHY

Joseph Wood Krutch

Also known as: Joseph Wood Krutch, Krutch, Joseph Wood

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Joseph Wood Krutch (; November 25, 1893 – May 22, 1970) was an American author, critic, and naturalist who wrote nature books on the American Southwest. He is known for developing a pantheistic philosophy.

Knoxville, United States
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It has been praised as the most "sublime spectacle" in the world and condemned as the most "profitless locality" on earth.

— from Grand canyon, 1942

Most acclaimed

#2

Five masters

1931

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#1

The modern temper

1929

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This arguement was written in the 1920's in the United States when there was a shift from the harmonious in art to the dischordant as exemplified by Picasso. Humankind was being preceived as losing it's 'soul' or what made it 'human' in a world of growing technology, more knowledge and science. This work focuses on the loss of identity facing humankind in light of such. The Modern Temper is a very carefully orchestrated treatise that strips it's reader of everything leaving them psychologically nude either accepting the existence of a God or rejecting such leaving them dead inside without hope, meaning, identity, purpose, direction or joy. It is a book that is comforted by times before the thrust of science and new, harsh, cold idealogies were coming into vogue.

#3

Samuel Johnson

1977

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Lipking's Samuel Johnson is the story of the man as he lived - and lives - in his work. Tracing Johnson's rocky climb from anonymity to fame, in the course of which he came to stand for both the greatness of English literature and the good sense of the common reader, the book shows how this life transformed the very nature of authorship. Beginning with the defiant letter to Chesterfield that made Johnson a celebrity, Samuel Johnson offers fresh readings of all the writer's major works, viewed through the lens of two ongoing preoccupations: the urge to do great deeds - and the sense that bold expectations are doomed to disappointment. Johnson steers between the twin perils of ambition and despondency. Mounting a challenge to the emerging industry that glorified and capitalized on Shakespeare, he stresses instead the playwright's power to cure the illusions of everyday life. All Johnson's works reveal his extraordinary sympathy with ordinary people. In his groundbreaking Dictionary, in his poems and essays, and in The Lives of the English Poets, we see Johnson becoming the key figure in the culture of literacy that reaches from his day to our own.

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