Jonathan D. Spence

"From humble origins in the provinces, Mao Zedong rose to absolute power, unifying with an iron fist a vast country torn apart by years of weak leadership, colonialism, and war."--BOOK JACKET. "Both a canny tactician and a hardworking organizer, Mao parlayed the privations of the famous Long March and the success of his guerrilla army into a powerful cult of personality and a dominant position in the burgeoning Chinese Communist Party. The Communist victory in 1949 not only elevated him to supreme leader but made his eccentric version of Marxism official dogma; his regime was a volatile mixture of power and mystique that exploded in the havoc of the Cultural Revolution. Jonathan Spence captures Mao in all his paradoxical grandeur and sheds light on the radical transformation he unleashed that still reverberates in China today."--BOOK JACKET.

"Shortly before noon on October 28, 1728, as General Yue Zhongqi, governor-general of the provinces of Shaanxi and Sichuan, surrounded by his retainers, is being carried in his sedan chair back to his office in Xian, a strangely dressed man runs toward him and tries to present him with a letter. General Yue orders the man to be seized. The letter is addressed to "The Commander in chief deputed by Heaven." When he gets to his office, Yue tells his staff to leave him alone. He tears open the envelope and reads the first few lines. It is as he guessed and feared. The contents of the letter are undiluted treason." "Treason by the Book investigates the attempted rebellion that "Summer Calm," the writer of the letter, was trying to persuade Yue Zhongqi to lead. Jonathan Spence, now regarded as the leading historian of China writing in English, has recovered the evidence of the case and reconstructed its course in a book of complete originality that has the pace and twists of a thriller."--Jacket.

Jonathan Spence, our foremost historian of Chinese politics and culture, tells us in his new book how the West has understood China over seven centuries. Ranging from Marco Polo's own depiction of China and the mighty Khan, Kublai, in the 1270s to the China sightings of three twentieth-century writers of acknowledged genius - Kafka, Borges, and Calvino - Spence explores Western thought on China through a remarkable array of expression. Peopling Spence's account are Iberian adventurers, the great Jesuit missionaries, Enlightenment synthesizers including Voltaire and Montesquieu, spinners of the dreamy cult of Chinoiserie, American observers such as Bret Harte, Mark Twain, Ezra Pound, and Eugene O'Neill, and diplomats from Britain's Lord Macartney to Henry Kissinger. Their visions are alternately coarse and subtle, generous and vicious, sober and exotic. Taken together they tell us as much about the self-image of the West as about China.

It is 1837 when Hong ascends to Heaven. While there, he is charged by God, his Heavenly Father - attired in black dragon robe and high-brimmed hat, his mouth almost hidden by his luxuriant golden beard - to slay the demon devils who are leading the people on earth astray. Their leader is Yan Luo, king of hell, the Dragon Demon of the Eastern Sea. Hong does battle in Heaven, armed by his father with sword and seal, aided by his elder brother, Jesus. Returned to his home village in south China, he resolves to carry on the struggle against the evil polluting humanity. He knows himself to be the younger brother of Jesus Christ, God's Chinese son. . The Taiping uprising, led by Hong Xiuquan, was a massive millennial movement that, in its violent rise and fall between 1845 and 1864, cost at least twenty million Chinese their lives. In the course of this struggle the Taiping succeeded in overturning the authority of the ruling Qing dynasty throughout a massive territory in southern China. This the Taiping ruled as their Heavenly Kingdom from their seat in Nanjing for eleven years, until they were overcome in an apocalypse wrought by Qing and Western forces, the Book of Revelation become history. In this master work of the historian's art, Jonathan Spence creates a history of intimate detail and grand scale. We enter the fevered dream world of Hong Xiuquan as he meets his Heavenly family; we see the torments awaiting earthly sinners in King Yan Luo's hell; we feel the anxieties of Westerners living circumscribed lives on the edges of a China they do not understand. This is a China of vast instability, ruled by a dynasty in decline, beset by pirates and bandits in areas beyond the government's reach, pressed by Western traders to embrace opium, Western missionaries the word of God, and arms dealers the new weapons of the industrial revolution. Hong's movement ignites this volatile situation, and Spence captures the result on a breathtaking canvas of clashing armies, daring strategic thrusts, and protracted, deadly sieges. It is a story of historical power with striking resonances today.

China is one of the great question marks on the world stage as we approach the third millennium. No longer a sleeping giant, neither is China a stable ally of the West. Economically it is an emerging powerhouse, and politically it is precariously balanced between the free market and military dictatorship. There could be no better time to try to understand China's history - the distance it has traveled, and where it may be going from herethan today. The Chinese Century tells the story in over two hundred and fifty rare, eloquent photographs that have been chosen from archives, libraries, and private collections throughout China, Taiwan, and the West. Many of the photographs have never been seen outside China. The photographs are paired with a stunning historical text by one of the West's most respected China scholars, Jonathan D. Spence, writing here for the first time with his wife, Annping Chin. The narrative traces the nation's disintegration into civil and world war, Communist revolution, and its slow reemergence as a military and economic superpower. Focusing on the lives of ordinary Chinese as well as on the towering figures such as Chiang Kai-shek and Mao Zedong, Spence weaves an intricate and fascinating social, political, and military history.

"The spirit of adventure is at the heart of Jonathan Spence's widely acclaimed scholarship on the modern history of China. This vitality, fleshed out with deep research and attired in elegant style, has drawn countless readers to subjects otherwise approachable only by experts. Through eight books, from the story of the early eighteenth century Manchu bondservant Ts'ao Yin to his magisterial history, The Search for Modern China, Spence has made the excitement of intellectual discovery palpable for us all." "In the course of his fruitful career Spence has written many shorter pieces as well, and the best of these are collected for the first time in Chinese Roundabout. Here the reader will meet Arcadio Huang, the Chinese linguist and Christian convert who moves from south China to Enlightenment Paris, marries a French woman, and in conversations with Montesquieu becomes the likely source for the Persian Letters. The poignant story of Huang's hard-won success and final defeat by poverty and disease illustrates the perils of crossing cultures. Spence's delight in intellectual risk animates his Shakespearean approach to the life of the great Qing emperor in "The Seven Ages of K'ang-hsi."" "Spence's great learning informs an authoritative essay on China's tragic experience with opium. Following the social process of addiction from the cultivation of poppies and the processing of the drug through its introduction by the British into China, its widespread distribution and consumption by Chinese, and the public struggle to suppress opium use, Spence explores issues of historical and contemporary interest. In an equally substantial piece he focuses on the cultural dimensions of food in Qing China, illuminating the marginal diet of a peasantry constantly threatened by famine as well as the grand banquets of the literati and the imperial household." "There are in addition generous and insightful assessments of new work in the modern China field as well as moving tributes to the old hands of China scholarship. Readers will find all of the pieces collected here to be inspired by the joy of discovery that Spence brings to all his work."--Jacket.

Recounts the activities in China of the late-sixteenth-century Jesuit missionary, Matteo Ricci, and examines the cultural and historical contexts of those activities.

In this masterful, highly original approach to modern Chinese history, Jonathan D. Spence shows us the Chinese revolution through the eyes of its most articulate participants—the writers, historians, philosophers, and insurrectionsists who shaped and were shaped by the turbulent events of this century. By skillfully combining literary materials with more conventional sources of political and social history, Spence provides an unparalleled look at China and her people and offers valuable insight into the coninuing conflict between the implacable power of the state and the strivings of China's artists, writers, and thinkers.