John Rechy

Zoe. Jenny. Nadia. Three women of varying ages and backgrounds with little else in common but for one thing: Someone has sent them each a note informing them that they will be killed. A cruel joke? A hoax? The police don't seem to think so. Now, with no clear suspect and amid the growing threat of violence, the victims become the accused as authorities dig into their backgrounds for clues as to why they might have attracted the unrelenting attention of a killer. As Zoe, Jenny, and Nadia find themselves being victimized twiceover, once by the faceless stalker and again by the police, each must ultimately face the question of which is stronger: the instinct to survive, or the desire to destroy? -- Publisher description.

In the late eighteenth century, a Lady flees to her dead husband's chateau, accused of his murder. There she is haunted by highly charged dreams about infamous women and their lovers, including Adam, Paris, John the Baptist, Jason, and Cortes. Within her dreams, the Lady discovers that these women - all, like herself, involved in catastrophic events - have been misunderstood and greatly maligned. A chance encounter with the fabulous Madame Bernice, an unconventional mystic who lives in a neighboring chateau, convinces the Lady that her "dreams" are in fact memories. The Lady's precise and vivid memories extend back even to the plains of Heaven during the War of angels led by Lucifer and his sister, Cassandra, who plot to thwart God's exile of Eve and Adam - and God is a main player here, boldly characterized. As the Lady and Madame prepare to announce the truth of the Lady's past lives, grave dangers threaten to ambush their disclosures. An erotic novel, entitled The True Account, a work full of accusations and dire warnings, charges the Lady with graphic debaucheries. It also contains buried clues that may identify the Lady's pursuers, figures who exist within the corridors of greatest power. Just who are these figures? Are the murderers of the Lady's husband - and the intended subverters of her ancient truths - among the mightiest of all hierarchies? As the Lady and Madame Bernice ponder these questions, they prepare themselves to face the public and vindicate all the fallen women through the corrected accounts of their lives.

From Amazon.com: Modeled on the classic 18th-century picaresques like Fielding’s The History of Tom Jones, a Foundling and Defoe’s Moll Flanders, The Life and Adventures of Lyle Clemens is the modern-day bildungsroman of a prodigiously attractive young Texan named Lyle Clemens. Lyle is kind of a holy fool who, like Chance in Being There, illuminates the actions, motivations, and prejudices of others through his lack of cynicism. He is a simple babe, in the woods of Texas and Los Angeles. Lyle’s mother, Sylvia, is a beautiful woman who was raised Pentecostal and rebelled against her mother through sexuality—but her dreams to become Miss America were dashed by her mother in a particularly traumatic way, and Lyle’s father (Lyle the First, a dashing cowboy), who consoled her in her time of need, left her when she became pregnant, leaving only money for an abortion Sylvia never got. Sylvia never talks about her own childhood or Lyle I, and takes refuge in alcohol; an entertaining Chicana Catholic kook named Clarita, given to religious visions and wacky pronouncements, helps Sylvia raise Lyle. Despite his unusual circumstances, Lyle has a sunny disposition. Like his father, Lyle is given to wearing cowboy boots and other Western attire, and often has to explain to people that he’s never actually ridden a horse. Things come to a head when Lyle reaches sexual maturity and falls in love with a girl in his school—a beautiful young Chicana named Maria. Unfortunately, Maria’s father Armando was one of Sylvia’s boyfriends and thinks he is Lyle’s father. Sylvia, out of vague sexual possessiveness toward her son, colludes with Armando to keep them apart, though she knows in her heart Lyle I is the father. The Pentecostals who fought to keep Sylvia in the fold all those years ago come back to town and, desperate, Sylvia takes Lyle to a tent revival. She quickly comes to her senses and realizes she has no place there, but they are already smitten with Lyle’s amazing good looks, beautiful guitar-playing and singing, and natural charisma. They begin to recruit him to come to Los Angeles to join their Pentecostal televangelism empire. Alienated from Maria and fed up with his mother, Lyle decides it’s time for him to strike out on his own, so he follows “Brother Bud and Sister Sis” to L.A. A black woman named Matilda of the Golden Voice, now alienated from Bud and Sis, encourages his musical gift but warns him obliquely not to trust Bud and Sis. Quickly Bud and Sis begin grooming Lyle as the newest Christian star sensation, dubbing him “The Lord’s Cowboy.” Meanwhile, a desperate and vain B-movie actress named Tarah Worth is angling to make a comeback. She hears she is up for the role of Helen Lawson (the older, washed-up actress character) in a sequel to Valley of the Dolls. Shortly after arriving in town, Lyle has taken a job working at a party at the Playboy Mansion, and saves Miss Millennium (a Playmate) from a feral peacock. He becomes known around L.A. as the “Mystery Cowboy” and Tarah hatches a plan in which Lyle will be framed for kidnapping her, that she feels will assure her the Valley of the Dolls role. One of Lyle’s friends from Texas, a gay kid named Raul, shows up in L.A. Bud and Sis are none too thrilled that their charge is trusting his gay friends and Sister Matilda over them, and he breaks from them on-air during their televangelist show—which they play off as demonic possession. Lyle attempts to keep Raul from getting bilked by sketchy pornographers, and to otherwise protect him from the seedier elements preying on gay street kids in L.A. Maria shows up in town to announce that she still loves Lyle, sleep with him one last time, and then inform him she’s marrying a business contact of her father’s for money. Lyle feels betrayed and tells her he never wants to speak to her again. Most dramatically, Lyle finally meets his father. Having been told he’s an abandoning son-of-a-bitch his entire life, he’s very angry and hostile but there is some closure and a hint of rapprochement. He also learns from a letter from Clarita that his mother’s difficult life is over, and gains some insight into her childhood. The end comes when he re-encounters Sister Matilda, now preaching on the street comparing her father’s lynching to the Crucifixion, and takes her to lunch at Musso & Frank’s. Feeling a sense of great tragedy and change, he takes off his clothes and, on a busy street in L.A., does the preacher strut and sings “Amazing Grace” as a tribute to his mother, jeered by passersby.

Fleeing a turbulent life in Los Angeles, twenty-four-year-old writer John Rechy accepts an invitation to a private island from an admirer of his work. There, he joins Paul, his imposing host in his late thirties, his beautiful mistress, and his precocious teenage son. Browsing Paul's library and conversing together on the deck about literature and film during the spell of evening's "blue hour," John feels surcease, until, with unabashed candor, Paul shares intimate details of his life. Through cunning seductive charm, he married and divorced an ambassador's daughter and the heiress to a vast fortune. Avoiding identifying his son's mother, he reveals an affinity for erotic "dangerous games." With intimations of past decadence and menace, an abandoned island nearby arouses tense fascination over the group. As "games" veer toward violence, secrets surface in startling twists and turns. Explosive confrontation becomes inevitable.

A large anthology of essays on Gay history, sex, and politics, plus fiction and poetry: Eric Garber 0n 1920s Harlem, Huey Newton on Gay Liberation, John Mitzel on John Horne Burns; others. Edited by Winston Leyland.

As Rath joins with mages and the Twin Kings' agents to wage a secret battle against the Lord of the Hells and his servants, he gives Jewel Markess and her den of orphans the opportunity to escape the chaos by providing them with a note of introduction to the head of House Terafin, where Jewel will discover her destiny.

From Goodreads: In this angry, eloquent outcry against the oppression of homosexuals, the author of the classic City of Night gives "an explosive non-fiction account, with commentaries, of three days and nights in the sexual underground" of Los Angeles in the 1970s—the "battlefield" of the sexual outlaw. Using the language and techniques of the film, Rechy deftly intercuts the despairing, joyful, and defiant confessions of a male hustler with the "chorus" of his own subversive reflections on sexual identity and sexual politics, and with stark documentary reports our society directs against homosexuals—"the only minority against whose existence there are laws."

From Amazon.com: John Rechy's new novel is a return to the themes and scenes of his classic, best-selling City of Night and a bittersweet memorial to a lost world -- gay Los Angeles in the moment before AIDS. It is 1981, a summer night, and an unscripted ritual is about to take place. Young, beautiful Jesse is celebrating one year on the dazzling gay scene and plans to lose himself completely in its transient pleasures. He is joined by Dave, a leatherman bent on testing limits. A young hustler, an opera lover lost in fantasies of youth, a gang of teenagers looking for trouble -- as the Santa Ana winds breathe fire down the hills of Los Angeles, stirring up desires and violence, these men circle ever closer to a confrontation as devastating as it is inevitable. Lyrical, humorous, and compassionate, The Coming of the Night proves again that as a novelist and chronicler of gay life John Rechy has no equal. "The question Rechy asks is still potent: Would you die for sex? Rechy's sizzling literary response, The Coming of Night is as exciting as it is chilling." -- Pamela Warrick, Los Angeles Times; "[Rechy] very nearly touches greatness . . . feeling his way toward that place within each of us where the ecstatic teeters on the edge of psychic abyss. . . . A substantial artist." -- Frank Browning, Salon.

An introduction to the theory of numbers, including: the origins of numbers, counting systems, place values, zero, rounded numbers, fractions and decimal numbers, prime numbers, square numbers. Suggested level: primary, intermediate.

In The Miraculous Day of Amalia Gomez, Amalia Gomez thinks she sees a large silver cross in the sky. A miraculous sign, perhaps, but one the down-to-earth Amalia does not trust. Through Amalia, we take a vivid and moving tour of the "other Hollywood," populated by working-class Mexican Americans, as John Rechy blends tough realism with religious and cultural fables to take us into the life of a Chicano family in L.A. Epic in scope and vision, The Miraculous Day of Amalia Gomez is classic Rechy. via Google Books

Is it possible that Marilyn Monroe gave birth to an illegitimate daughter by Robert Kennedy shortly before she died in 1962? Following the suicide of Enid Morgan in 1980, her 18-year-old daughter, Normalyn, finds a shocking note saying that her real mother was Monroe, Enid's longtime friend. Desperate to learn the truth, Normalyn arrives in California to question a Pulitzer Prize-winning author obsessed with Monroe's last days, an aging gossip columnist who loathed the blonde actress and a married couple formerly employed by Monroe's movie studio to sanitize the star's public images. Rechy also spotlights the pathetic, debauched lives of have-nots Normalyn meets, such as Troja, a black transsexual who performs as Monroe's daughter in a tawdry nightclub, and the ghoulish members of a cult group called the Dead Movie Stars.