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Jan 1, 1939 — —· 87 yrs

UNITED STATES AUTHOR · HISTORY

John R. Gillis

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Plainfield, United States
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DURING THE past twenty years, social scientists have devoted much attention to the "invention" of cultures and traditions, particularly as this process is associated with nationalist and ethnic politics.

— from Commemorations

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The Prussian bureaucracy in crisis, 1840-1860

1971

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#1

For Better For Worse

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Broughton House, an old English country estate set along the Wiltshire/Dorset border in England, is the inanimate protagonist of Penny Jordan's lengthy exploration into the human drama. Three couples view the house as the answer to their personal problems. Eleanor, with her new husband, two sons from a previous marriage and troubled teenaged stepdaughter, hopes the house will help them bond as a family. Hotel manager Zoe, who dreams of turning Broughton House into a bed-and-breakfast in order to her lover, Ben, from the demands of his dysfunctional family. Finally, there is Fern, trapped in an emotionally abusive marriage to Nick. She's hopelessly in love with Nick's stepbrother Adam, with whom she once had an affair and who is now involved in the sale of Broughton House. Fern is the most interesting of the lot as she comes to realize that she is a battered wife - sans the bruises - and slowly emerges as a self-possessed woman.

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Commemorations

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Memory is as central to modern politics as politics is central to modern memory. We are so accustomed to living in a forest of monuments, to having the past represented to us through museums, historic sites, and public sculpture, that we easily lose sight of the recent origins and diverse meanings of these uniquely modern phenomena. In this volume, leading historians, anthropologists, and ethnographers explore the relationship between collective memory and national identity in diverse cultures throughout history. Placing commemorations in their historical settings, the contributors disclose the contested nature of these monuments by showing how groups and individuals struggle to shape the past to their own ends

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