Jessie Redmon Fauset

Comedy: American Style (1933), Fauset's fourth and last published novel, is the tragic story of how color prejudice and racial self-hatred result in the destruction of a family. The work is filled with vivid characters: Olivia Cary, whose mania in passing for white poisons her relationships with those closest to her; her daughter, Teresa, compelled by her mother to make choices that ruin her life; Phebe Grant, a woman of integrity who refuses to deny her race; and Oliver Cary, rejected by a mother unable to accept the color of his skin and her own heritage. A novel that received mixed reviews on its original publication, Comedy: American Style raises compelling and disturbing themes.

The Chinaberry Tree (1931), Fauset's third novel, is a tale of the lives and loves of two generations of African-American women. Its seemingly quiet small-town setting is the backdrop for such bold and explosive issues as adultery, incest, miscegenation, lust, envy, and deception. The story focuses on two women: Laurentine Strange, the beautiful daughter of a common-law interracial union, tormented by the idea that life has passed her by because of her "bad blood"; and her cousin Melissa Paul, a self-confident teenager to whom even darker secrets are revealed.

The black middle class's quest for social equality in the early twentieth century and of the limited vocational choices confronting both black and white American women in that era. Set in Philadelphia some 60 years ago, the book traces the lives of Joanna Mitchell and Peter Bye, whose families must come to terms with an inheritance of prejudice and discrimination as they struggle for legitimacy and respect.

Written in 1929 at the height of the Harlem Renaissance by one of the movement's most important and prolific authors, Plum Bun is the story of Angela Murray, a young black girl who discovers she can pass for white. After the death of her parents, Angela moves to New York to escape the racism she believes is her only obstacle to opportunity. What she soon discovers is that being a woman has its own burdens that don't fade with the color of one's skin, and that love and marriage might not offer her salvation.