Jean-Pierre Mouchon

This dictionary (2290 pp.) contains the résumés and bibliographies of French, American, English, Australian, Italian...specialists in English, American, Australian...literature, civilization, history, geography, linguistics. It encompasses both the 19th and the 20th centuries and the very beginning of the 21st century. It completes Jean-Pierre Mouchon's "Esquisse de l'enseignement de l'anglais et des études anglaises en France au 20e siècle" (Terra Beata, 1995, 304 pp.; second edition, thoroughly recast and enlarged, 2006, 487 pp.).

This is a book of translations from French into English. There are ninety excerpts taken from French writers. Thirty are translated with footnotes to explain the choice of certain words and grammatical points. The others are to be translated into English by students.

This is the new edition (2011, 1359 pp., ill. ISBN: 2-909366-16-2) recast and expanded of the first part of "Enrico Caruso. L'homme et l'artiste". This book is crammed with a lot of new facts, pictures, reviews, that cannot be found in other books on the same tenor. It also takes the historical and social background into account. From the artistic point of view, a lot of other lyric artists are also cited, and long-forgotten verist operas are quoted, and explained if Caruso sang in them. Legends are debunked so that tenor Caruso can be seen in a new light. This book is also published on line. Site

This is the third and last volume of Jean-Pierre Mouchon's dissertation on tenor Enrico Caruso. It deals, as written in the title, with Caruso's voice and art, and recordings. The author, after analysing the voice from a scientific point of view (power, range, vibrato), explains the artist's technique and his bewitching hold over his audiences. Caruso's linguistic abilities and disabilities to master modern languages are also examined. The greater part of the book is dedicated to the recordings of Caruso which are commented on from a technical and aesthetic point of view. The words of the songs and arias are given as well as the different pitches adopted by the great tenor. There are also a double index of names and titles, and a complementary bibliography to volume II. The book is illustrated with numerous pictures, reviews, and even letters of Caruso.

It is an alphabetical vocabulary of English literary phrases meant for agrégation exam students in France

This book gives the translation into French of twenty-four Greek, Latin, English poems by Andrew Marvell (XVIIIth century), with footnotes.

This book is a collection of literary and educational articles published in different journals, followed by official letters, tributes, thoughts, and translations from French into Italian or English, Italian into French, English into French (three poems by Andrew Marvell), and Greek into French (poem by Andrew Marvell).

This book deals with the story of the first girls' high school in Marseilles (France), from 1891, year of its foundation, to 1993.

This book gives the translation of twenty-five poems by Andrew Marvell from Greek, Latin, English into French with footnotes.

This book deals with tenor Enrico Caruso's career, and gives the precise dates with complete casts of the operas and concerts in which he appeared from October 10, 1894 (concert) to the last performance ("La Juive" at the Metropolitan Opera House, on December 24, 1920). There are also a lot of photos and facsimiles of reviews in the book.

Seventy-two Literary translations from the French for the two competitive examinations (C.A.P.E.S. & Agrégation) for posts on the teaching of English in French high schools and colleges. The excerpts translated or to be translated are followed by a lexical index, a grammatical index and an index nominum.

This is a textbook for French learners of English. The different playlets help high school pupils learn some basic English. The texts are recorded on an audio tape to get them used to conversational English.

This book is the English adaptation rather than translation of a former book by Jean-Pierre Mouchon on tenor Caruso's life, singing voice, art, technique, and linguistic abilities. A whole chapter (IV) is also dedicated to the causes of Caruso's death. There are photos and sonagrams in the text. This digest was published in 1974 four years before the author had his viva at La Sorbonne, Paris IV, in 1978. His important thesis in three volumes has been recently recast and enlarged and crammed with new facts, reviews, unpublished pictures and letters.