Jayne Anne Phillips

The story of the Hampsons--Mitch, Jean, Danner, and Billy--from the Depression through the Vietnam War.

A rich, many-layered novel from one of our major writers, her first in nine years.Set in the 1950s in West Virginia and Korea, it is a story of the power of loss and love, the echoing ramifications of war, family secrets, dreams and ghosts, and the unseen, almost magical bonds that unite and sustain us.At its center: Lark and her brother, Termite, a child unable to walk and talk but full of radiance; their mother, Lola; their aunt, Nonie, who raises them; and Termite's father, Corporal Robert Leavitt, who finds himself caught up in the chaotic early months of the Korean War. Told with enormous imagination and deep feeling, the novel invites us into the hearts and thoughts of each of the leading characters; even into Termite's intricate, shuttered consciousness. We are with Leavitt, trapped by friendly fire. We see Lark's hopes for herself and Termite, and how she makes them happen. We learn of Lola's love for her soldier husband and children, and unravel the mystery of her relationship with Nonie. We discover the lasting connections between past and future on the night the town experiences an overwhelming flood, and we follow Lark and Termite as their lives are changed forever.From the Trade Paperback edition.

In 1931, Emily Thornhill, one of the few women in the Chicago press, covers the murders of Asta Eicher and her three children in Quiet Dell, West Virginia. Obsessed with finding out what happened to this beautiful family, Emily allies herself with the man funding the investigation.

"Meg lives alone: a little place in the bush outside town. A perfect place to hide. That's one of the reasons she offers to shelter Nerine, who's escaping a violent ex. The other is that Meg knows what it's like to live with an abusive partner. Nerine is jumpy and her two little girls are frightened. It tells Meg all she needs to know where they've come from, and she's not all that surprised when Nerine asks her to get hold of a gun. But she knows it's unnecessary. They're safe now. Then she starts to wonder about some little things. A disturbed flyscreen. A tune playing on her windchimes. Has Nerine's ex tracked them down? Has Meg's husband turned up to torment her some more? By the time she finds out, it'll be too late to do anything but run for her life."--Publisher.

Black Tickets is an astonishing collection that deals with the dreams and passions of young men and women, and depicts the desperate loneliness that pervades American live. (back cover copy) West Virginia gothic.

"MotherKind is the story of Kate, whose care for her terminally ill mother coincides with the birth of her first child and the early months of a young marriage. She must, in a single year, come to terms with radiant beginnings and profound loss. MotherKind is a delicately layered narrative in which the details of daily life resonate with import and meaning.". "MotherKind immerses us in a very contemporary situation, yet deals with timeless themes. Even as Kate's relationship with her mother embodies her childhood and adolescence in another place, she must decide what "home" is, and how to translate all she has come from into what she will carry forward. As her baby grows and her mother becomes increasingly ill, Kate realizes how inextricably linked we are, even in separation - across generations, cultures, time; across death itself."--BOOK JACKET.