Javier Marías

«No he querido saber, pero he sabido que una de las niñas, cuando ya no era niña y no hacía mucho que había regresado de su viaje de bodas, entró en el cuarto de baño, se puso frente al espejo, se abrió la blusa, se quitó el sostén y se buscó el corazón con la punta de la pistola...» Así comienza esta novela magistral de Javier Marías. Pero «eso fue hace mucho tiempo», según añade el narrador: ahora es él quien está recién casado, con Luisa, y en su propio viaje de novios, estando en La Habana, ve desde el balcón de su hotel a una mujer desconocida que espera en la calle y que durante unos segundos lo confundirá con la persona con quien se ha citado. A partir de entonces el narrador sentirá un creciente e inexplicable malestar («presentimientos de desastre») ante su recién inaugurado matrimonio, e intuirá que la explicación tal vez esté en el pasado y por tanto en su propio origen, ya que su padre, Ranz, hubo de casarse tres veces para que él pudiera nacer. Lejos del investigador, el narrador de esta novela es, por el contrario, un hombre que prefiere no saber, consciente de lo peligroso que resulta escuchar y de que, una vez oídas las cosas, ya no pueden olvidarse. La vigorosa e hipnótica prosa de Javier Marías configura en espiral esta extraordinaria novela en la que están presentes los grandes temas de su narrativa: el secreto y su posible conveniencia, el matrimonio, el asesinato, la instigación, la sospecha, el hablar y el callar, y los corazones que poco a poco se van tiñendo y acaban sabiendo lo que nunca quisieron saber. Editada en 44 países y traducida a 37 idiomas, con 2.300.000 ejemplares vendidos en todo el mundo, Corazón tan blanco fue premiada internacionalmente, suscitó la aclamación de la crítica más exigente y el entusiasmo de los lectores, sin distinción de lenguas, para convertirse en un clásico de nuestros días.

En este casi centenar de piezas, Marías se muestra tan combativo e irreverente como de costumbre, y lo hace cuando era más oportuno: durante una etapa de nuestra historia algo sombría, que tuvo su máxima expresión trágica en los atentados madrileños del 11 de marzo de 2004. A los columnistas, dice Marías, «hay temporadas en que la realidad se nos impone en exceso, y hasta nos parece inmoral no referirnos a los acontecimientos graves en que nos hallamos inmersos todos». Sin embargo, la variedad de asuntos tratados, casi siempre con leve nostalgia o con aguda ironía, es considerable: desde evocaciones de su madre muerta y de su padre anciano, del amigo de infancia o de las viejas colecciones de cromos de futbolistas, hasta las creencias y costumbres más necias de nuestro tiempo, la búsqueda de tumbas legendarias durante algunos viajes o la cada vez menos importancia de lo dicho y de las palabras, que lleva a demasiadas personas, sobre todo a los políticos, a ejercer constantemente «el oficio de oír llover». Por suerte, existen aún escritores que, como Javier Marías, no se limitan a eso, sino que, con sus palabras, «intentan distinguir algo en medio del rumor manso o del ruido atronador de los acontecimientos».

1 volume ; 20 cm

Madrid, 1980. Juan de Vere, nearly finished with his university degree, takes a job as personal assistant to Eduardo Muriel, an eccentric, once-successful film director. Urbane, discreet, irreproachable, Muriel is an irresistible idol to the young man. But Muriel's voluptuous wife, Beatriz, inhabits their home like an unwanted ghost; and on the periphery of their lives is Dr. Jorge Van Vechten, a family friend implicated in unsavory rumors that Muriel now asks Juan to investigate. As Juan draws closer to the truth, he uncovers only more questions. What is at the root of Muriel's hostility toward his wife? How did Beatriz meet Van Vechten? What happened during the war? Marías leads us deep into the intrigues of these characters, through a daring exploration of rancor, suspicion, loyalty, trust, and the infinitely permeable boundaries between the deceptions perpetrated on us by others and those we inflict upon ourselves.

"Javier Marias begins Dark Back of Time with the tale of the odd effects of publishing All Souls, his 1989 Oxford novel. All Souls is a book Marias swears to be fiction, but which its "characters" - the real-life professors and bookshop owners who have "recognized themselves" - fiercely maintain to be a roman a clef. They claim certain roles for their own - and for others: the narrator's mistress has been firmly identified as a certain don's wife. Marias marvels as a world that seemed nearly asleep is set into fretful motion by a world that never "existed."". "Yet this backwash of All Souls only begins an odyssey into the nature of identity ("We do not know anyone entirely, not even ourselves") and of time. And it is time which Marias manipulates with the flair of Sterne: he weaves together autobiography (the brother who died as a child; the loss of his mother), a legendary kingdom, strange ghostly literary figures, a one-eyed pilot, a curse in Havana, a bullet lost in Mexico. An ironic puzzle, Dark Back of Time explores the powers of art and reality as well as of memories, which become only more mysterious the more Marias remembers."--BOOK JACKET.

"A story of love and memory. On a train journey from Paris to Madrid a young opera singer becomes fascinated by those in his compartment: a middle-aged businessman, his alluring wife and their male traveling companion. Soon his life of constant travel, luxury hotels, rehearsal and performance will become entangled with these three people, and the singer will find himself fatefully consumed by Natalia's beauty. The Man of Feeling is the haunting story of the birth and death of a passion, told in retrospect. Intricately interweaving desire and memory, it explores the nature of love, and asks whether we can ever truly recall something that no longer exists"-- "On a train journey from Paris to Madrid a young opera singer becomes fascinated by those in his compartment: a middle-aged businessman, his alluring wife and their male traveling companion. Soon his life of constant travel, luxury hotels, rehearsal and performance will become entangled with these three people, and the singer will find himself fatefully consumed by Natalia's beauty. The Man of Feeling is the haunting story of the birth and death of a passion, told in retrospect. Intricately interweaving desire and memory, it explores the nature of love, and asks whether we can ever truly recall something that no longer exists"--

Marta invites Victor, whom she had met only a few days before, to dinner at her Madrid apartment while her husband is away on business. After Marta's two-year-old son finally falls asleep, the two retreat to the bedroom. As they start to undress, Marta is taken violently ill. Inexplicably, she dies. What is Victor, a stranger in a strange apartment, to do? He removes the tape, with its compromising messages, from the answering machine, puts some breakfast food on the kitchen table for the child, and leaves. While Marta's elderly father is disconsolate in the belief that his daughter died alone, the rest of the family is all too aware that someone was sharing her bed that night. Dean, the widower, is determined to find out who it was. All might have remained undiscovered, but Victor cannot endure living with shadows. Marias casts a knowing eye on the secrets that bring couples together and break them apart - the admissions that conceal, the lies that reveal - and the infinite capacity for self-deception in pursuit of love.

388 p

Todas las almas cuenta la historia de los dos brumosos y singulares años que el narrador pasó en la Universidad de Oxford, una ciudad fuera del mundo y del tiempo. Y fuera de ambos viven los cautivadores personajes de esta novela: la amante casada del narrador, Clare Bayes, una mujer condicionada por algo a lo que asistió pero que no recuerda; el amigo Cromer-Blake, homosexual irónico que vive fabricando experiencias intensas para una vejez que prevé solitaria; el ya retirado y sagaz profesor Toby Rylands; el merodeador Alan Marriott, con su perro de tres patas y sus conocimientos sobre la «pareja espantosa» que todos tenemos; y muchos otros, algunos extraordinariamente divertidos, hasta llegar al personaje que viene de otro tiempo, el enigmático escritor John Gawsworth. En un mundo de secretos e intrigas, de ritos ceremoniosos y cenas disparatadas, de pasados ocultos y enfermizos presentes, el narrador va tejiendo su propia «perturbación» y su propia historia con la de los habitantes de la ciudad «conservada en almíbar», hasta descubrir que elementos tan dispares como un puente ferroviario sobre un río en la India, unos amantes desdichados, una carrera de espía o la diminuta isla de Redonda, pasarán a formar parte de su vida, marcada ya para siempre por esas relaciones inesperadas de amor y amistad entre todas las almas.

"A new, exhilarating collection of critical and personal writings--spanning more than twenty years of work--from the internationally renowned author of The Infatuations and A Heart So White. A Vintage Books Original. Javier Marías is a tireless examiner of the world around us: essayist, novelist, translator, voracious reader, enthusiastic debunker of pretension, and vigorous polymath. He is able to discover what many of us fail to notice or have never put into words, and he keeps looking long after most of us have turned away. This new collection of essays--by turns literary, philosophical, and autobiographical--journeys from the crumbling canals of Venice to the wide horizons of the Wild West, and Marías captures each new vista with razor-sharp acuity and wit. He explores, with characteristic relish, subjects ranging from soccer to classic cinema, from comic books and toy soldiers to mortality and memory, from "The Most Conceited of Cities" to "Why Almost No One Can Be Trusted," making each brilliantly and inimitably his own. Trenchant and wry, subversive and penetrating, Between Eternities is a collection of dazzling intellectual curiosity, offering a window into the expansive mind of the man so often said to be Spain's greatest living writer"--

H.P. Lovecraft, the radical, misanthropic master of the horror genre, now has an impassioned advocate in Michel Houellebecq, Europe's most controversial modern novelst. In his illuminating appraisal of Lovecraft's life and work, Houellebecq reveals a surprising debt to the master of weird fiction.