UNITED KINGDOM AUTHOR · FICTION · BIOGRAPHY
Janice Galloway
British writer
I HATE FEBRUARY.
— from Where you find it, 1996
Most acclaimed
The Trick is to Keep Breathing
1989
Meticulously observed, agonizing and funny, this unconventional account of clinical depression marks the novelistic debut of the author of the praised short-story collection Blood. Drama teacher Joy Stone has become severely depressed following the death of her married lover. Surrounded by his effects in the house they briefly shared, she can't summon the will to work or even to eat, nor can she benefit from the concern of her friends. Interspersed flashbacks to the day of her lover's death have a sensual, physical quality that contrasts vividly with Joy's present detachment. The nature of Joy's illness--and its accurate depiction, captured partly by an unusual spacing of the text in addition to journal entries, interviews and impressionistic passages--makes her a difficult choice for a narrator: readers may lose patience with her lassitude or be unwilling to put in the time needed to decipher the basic plot. However, the ironic, self-mocking tone that ultimately saves Joy also saves the narrative. Faced with an impersonal health care system, her sense of the ridiculous takes over, and with it self-reliance. Galloway delivers a thoughtful, witty chronicle of depression and potential renewal.
All Made Up
In the second volume of her memoirs, the prize-winning author Janice Galloway reveals how the child introduced in This is Not About Me evolved through her teenage years. When she started secondary school, Galloway was still sharing a bed with her mother and was more excited by Latin and school orchestra than by boys.
Foreign parts
"What begins as a driving holiday in Northern France for two Scotswomen turns into a caustic and funny account of dysfunctional relationships - both between men and women and between women friends. Cassie and Rona - in their late thirties, both single and childless - are on each other's nerves from the moment they cross the Channel: Cassie is testy and cynical, Rona patient and plodding. Both are self-conscious of the fact that they seem to fit the stereotype of two "spinsters" linked by loneliness, and consequently rebel against the notion that a woman needs a man to feel "complete." Faced with the dilemma of "fancying men and not liking them very much," the women ponder the alternatives as they endure one tourist nightmare after another."--BOOK JACKET.