Jane Myers

"The Shores of a Dream: Yasuo Kuniyoshi's Early Works in America considers the paintings and drawings that Kuniyoshi produced before his first trip to Europe in 1925. As he began to develop his painting style, the young artist also executed a series of pen-and-ink drawings that were finished works of art in themselves. Kuniyoshi's sensuous still lifes and fanciful landscapes fused the principles of American modernism with artistic elements from folk art and from his Japanese heritage. His works are by turns humorous, fantastic, and serenely elegant, and always worthy of close examination." "The Shores of a Dream reveals the range of Kuniyoshi's early work, from broadly painted canvases that echo American folk painting to pen-and-ink works reminiscent of Japanese sumi ink drawing or touched with delicate washes of color. Comparative examples from traditional Japanese art and Kuniyoshi's contemporaries, including Charles Demuth, Georgia O'Keefe, and Marsden Hartley, suggest how he fused both traditional and modernist artistic principles into a style uniquely his own."--BOOK JACKET.

Though he was the most famous and most highly regarded American artist of his era, George Bellows, the intense, prolific painter of the early twentieth century, has remained as much of an enigma to his successors as to his contemporaries. Best known for his gritty, impressionistic depictions of underground boxing and the lower east side of New York, Bellows was also influenced by cultural movements and theories of art as diverse as transcendentalism and surrealism. In George Bellows: American Artist, Joyce Carol Oates explores his life and work from the perspective of a writer and admirer. Examining Bellows' art within his historical and cultural contexts, Oates sheds new light on his technical versatility and voracious imagination.

"This book will provide the first comprehensive and critical overview of Associated American Artists (AAA), the commercial enterprise best known as the publisher of prints by Thomas Hart Benton, John Steuart Curry, and Grant Wood. It addresses not only AAA's storied involvement in the sale of American prints via mail-order catalogue, but also its ongoing promotion of American art in a range of mediums over six decades. Through aggressive marketing of studio prints, reproductions of art, ceramics and textiles, and associations with corporate advertisers, AAA sought to bring "original" American art over the threshold of every American home"--

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