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Jan 1, 1958 — —· 68 yrs

HISTORY · ENGLISH

Ian Haywood

Also known as: IAN HAYWOOD, I. Haywood

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Chris Haywood (born c. 1948) is an English-born Australian actor, writer and producer, with close to 500 screen performances to his name. Haywood has also worked as a casting director, art director, sound recordist, camera operator, gaffer, grip, location and unit manager.

IT HAPPENED AGAIN TODAY: I was bluffing my way through some material in my Property class about which I knew no more than what the teaching manual told me, it being the extent of my researches on the topic.

— from Faking it

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#1

The making of history

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#2

Faking it

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LOVE AND DECEPTION HAVE A LOT IN COMMON. Meet the Goodnights, a respectable family who run a respectable art gallery-and have for generations. There's Gwen, the matriarch who likes to escape reality, Eve the oldest daughter who has a slight identity problem (she has two), Nadine, the granddaughter who's ready to follow in the family footsteps as soon as she can find a set that isn't leading off a cliff. And lastly, Matilda, the youngest daughter, has inherited the secret locked down in the basement of the Goodnight Gallery, the secret she's willing to do almost anything to keep, even break into a house in the dead of night to steal back her past. THE RISKS ARE INTOXICATING. Meet the Dempseys, or at least meet Davy, a reformed con man who's just been ripped off for a cool three million by his financial manager, who then gallantly turned it over to Clea Lewis, the most beautiful sociopath Davy ever slept with. Davy wants the money back, but more than that he'll do anything to keep Clea from winning, including break into her house in the dead of night to steal back his future. AND IF YOU'RE REALLY GOOD AT THEM, THEY BOTH PAY OFF. One collision in a closet later, Tilda and Davy reluctantly join forces to combat Clea, suspicious art collectors, a disgruntled heir, and an exasperated hitman, all the while coping with a mutant dachshund, a juke box stuck in the sixties, questionable sex, and the growing realization that they can't turn their backs on the people they were meant to be...or the people they were born to love.

#3

The Literature of Struggle

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Chartism inspired a prodigious literary output, based on its own newspapers and journals. However, while some Chartist political writings have been reprinted, the aesthetic texts of the movement have largely been neglected. This selection of short stories and extracts from longer fiction aims to remedy this situation and covers a diversity of authors, genres and themes. Ian Haywood has written a cogent and wide-ranging review of the Chartist movement and its literature as an introduction to this collection of little-known and revealing stories. The fiction is divided into the following areas: the condition of England, Ireland, revolution, women and Chartism itself.

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