Huston, John

Scott stars as the detective who must discover a mass murderer before the only remaining heir to a large fortune is killed.

Presents photos and screenplay from the notable Bogart film, "The treasure of the Sierra Madre."

Set in Stockton, a story of two boxers, one who is at the end of his career and the other who is just begining to learn to fight.

In a career that spanned six decades, the legendary John Huston directed 38 films, including The Maltese Falcon, The Treasure of the Sierra Madre, The African Queen, Prizzi's Honor, and The Dead, as well as three documentaries on the experience of World War II combat and its aftereffects. Despite his achievements, Huston's work has often been spurned by movie critics and film scholars. This anthology, the first in-depth study of Huston's films since his death in 1987, challenges the conventional wisdom through a vigorous reassessment of the director's work. Bringing together recent essays, classic pieces by Andrew Sarris and James Agee, as well as two Huston short stories and an interview with the filmmaker, Reflections in a Male Eye explores the ideology of Huston's films, their social and political backdrop, and his vision of the American male. Arguing that Huston's point of view was revealed subtly through his selection of topics and direction, Robert Sklar, Gary Edgerton, John Engell, and Stephen Cooper contend that it was the historical and political context of Huston's films - not just directorial personality - that gave his work a distinct stamp. Other contributors, among them James Naremore, Martin Rubin, and Virginia Wright Wexman, examine the representation of masculinity, the image of the male body, and the use of problematical heroes in Huston's films. They consider such issues as male bonding, sensitivity, powerlessness, and failure alongside Huston's questioning of American idealism and traditional male gender roles. Reflections in a Male Eye includes a complete filmography covering Huston's work as actor, director, and screenwriter and numerous stills and frame enlargements.

A funny, wistful memoir by a Pulitzer Prize--winning critic that recalls the charm of Growing Up and the tenderness of One Writer's Beginnings. "ALL THAT KID WANTS TO DO is stick his nose in a book, " Michael Dirda's steelworker father used to complain, worried about his son's passion for reading. In An Open Book, one of the most delightful memoirs to emerge in years, the acclaimed literary journalist Michael Dirda re-creates his boyhood in rust-belt Ohio, first in the working-class town of Lorain, then at Oberlin College. In addition to his colorful family and friends, An Open Book also features the great writers and fictional characters who fueled Dirda's imagination: from Green Lantern to Sherlock Holmes, from Candy to Proust. The result is an affectionate homage to small-town America--summer jobs, school fights, sweepstakes contests, and first dates--as well as a paean to what could arguably be called the last great age of reading.