Gillian Rose

In Mourning Becomes the Law, Gillian Rose takes us beyond the impasse of post-modernism or 'despairing rationalism without reason'. Arguing that the post-modern search for a 'new ethics' and ironic philosophy are incoherent, she breathes new life into the debates concerning power and domination, transcendence and eternity. Mourning Becomes the Law is the philosophical counterpart to Gillian Rose's highly acclaimed memoir Love's Work. She extends similar clarity and insight to discussions of architecture, cinema, painting and poetry, through which relations between the formation of the individual and the theory of justice are connected. At the heart of this reconnection lies a reflection on the significance of the Holocaust and Judaism.

"A devastating confrontation with mortality leads Gillian Rose, one of England's most distinguished thinkers, to illuminate the deepest issues of our lives: love, friendship, sex, illness, and death. Rose's crisis gives her search the force of immediacy and intimacy; her willingness to face life unsentimentally propels her toward the unexplored border between life and death. As she confronts the dilemma faced by all humankind - how to teach the mind what the heart knows, and the heart what the mind understands - Rose finds that attention to loss becomes the silence of grace, and that the personal becomes the universal." "Extraordinarily candid and elegant, Love's Work is radiant as both memoir and philosophy; it provides a new model for introspection."--BOOK JACKET.

"Judaism and Modernity: Philosophical Essays challenges the philosophical presentation of Judaism as the sublime 'other' of modernity. Here, Gillian Rose develops a philosophical alternative to deconstruction and post-modernism by critically re-engaging the social and political issues at stake in every reconstruction"--

"Geography is a subject that throughout its history has been dominated by men; men have undertaken the heroic explorations that form the mythology of its foundation, men have written most of its texts, and, as many feminist geographers have remarked, men's interests have structured what counts as legitimate geographical knowledge. This book offers a sustained examination of the masculinism of contemporary geographical discourses." "Drawing on the work of feminist theories about the intersection of power, knowledge and subjectivity, Rose discusses different aspects of the discipline's masculinism in a series of essays that bring influential approaches in recent geography together with feminist accounts of the space of the everyday, the notion of a sense of place, and views of landscape. In the final chapter, she examines the spatial imagery of a variety of feminists in order to argue that the geographical imagination implicit in feminist discussions of the politics of location is one example of a geography that does not deny difference in the name of a universal masculinity."--BOOK JACKET.

This book fundamentally challenges the radical credentials of posts-structuralism. Though Derrida, Foucault and Deleuze claim to have 'deconstructed' metaphysics, their work has much in common with previous attempts to 'end' the metaphysical tradition, from Kant to Nietzsche and Heidegger, and by sociology in general. Gillian Rose shows that this anti-metaphysical writing always appears in historically specific jurisprudential terms, which themselves found and recapitulate metaphysical categories. She reconsiders post-structuralism in this light and assesses the relationship between deconstruction and the earlier structuralism of Saussure and Levi-Strauss. She argues in conclusion that the choice between post-structuralism nihilism and Hegelian and Marxist dialectic is spurious. -- from back cover.

"From smartphone apps to smart cities, digital technologies are reconfiguring urban space and altering our everyday experiences in the city. The New Urban Aesthetic brings an important new angle to our understanding of digital technology in the urban domain - examining how our experiences are altered through interaction with digital devices and screens, and exploring how the visual, sensory, temporal and spatial aesthetics of everyday urban life are changing as a result of the digital. Introducing the concept of the urban aesthetic, as a term which focuses on the bodily experiencing of urban space, the book presents three major new case studies - Milton Keynes, UK; Doha, Qatar; and Barcelona, Spain - which each observe how specific digital technologies are changing the urban aesthetic . We see how bodies are modified through a changing 'smart' environment; how CGI-led urban design is reconfiguring the streets; and explore the impact of social media in both civic participation and in gentrification. Introducing a new vocabulary to understand the ways in which the digital mediates the making and experience of urban space, The New Urban Aesthetic is essential reading for anyone interested in the power of digital culture and technology to transform urban spaces and communities around the world."--