Fran Wilde

Once upon a time, there were two sisters who rescued each other. When things go bad at home, sisters Eleanor and Mike hide in a secret place under Eleanor’s bed, telling monster stories. Often, it seems those stories and their mother’s house magic are all that keep them safe from both busybodies and their dad’s temper. But when their father breaks a family heirloom, a glass witch ball, a river suddenly appears beneath the bed, and Eleanor and Mike fall into a world where dreams are born, nightmares struggle to break into the real world, and secrets have big consequences. Full of both adventure and heart, Riverland is a story about the bond between two sisters and how they must make their own magic to protect each other and save the ones they love. Cover by Robert Frank Hunter. Riverland is a portal fantasy about domestic violence. In the tradition of portal fantasies, the fantastic is an adventure to help right a world that has gone somehow wrong. In another way, it is a story about two sisters gaining control over their own narrative, learning their strengths, and rescuing themselves. I’m hoping you’ll get to know Mike and Eleanor, Pendra and Kalliope, Dishrag and the Heron, the dreams and the ‘mares. It is the book of my heart, that I swore I’d never write, and then felt compelled to write.

Thirteen of YA’s most celebrated names reimagine Edgar Allan Poe’s most surprising, unsettling, and popular tales for a new generation. Edgar Allan Poe may be a hundred and fifty years beyond this world, but the themes of his beloved works have much in common with modern young adult fiction. Whether the stories are familiar to readers or discovered for the first time, readers will revel in Edgar Allan Poe’s classic tales, and how they’ve been brought to life in 13 unique and unforgettable ways. Contributors include Kendare Blake (reimagining “Metzengerstein”), Rin Chupeco (“The Murders in the Rue Morge”), Lamar Giles (“The Oval Portrait”), Tessa Gratton (“Annabel Lee”), Tiffany D. Jackson (“The Cask of Amontillado”), Stephanie Kuehn (“The Tell-Tale Heart”), Emily Lloyd-Jones (“The Purloined Letter”), Hillary Monahan (“The Masque of the Red Death”), Marieke Nijkamp (“Hop-Frog”), Caleb Roehrig (“The Pit and the Pendulum”), and Fran Wilde (“The Fall of the House of Usher”).

Lie. Cheat. Bargain. Fight. Accept. Bribe. Conquer. Evade. No matter what humanity tries, Death always wins. Or does it? Discover the answer in The Death of All Things, where twenty-two writers take their shot at the Grim Reaper with explorations of the mythical, fantastical, and futuristic bonds between life and death. Learn the cost of mortality, the perils—and joys—of the afterlife, and the potential pitfalls of immortality …