Ernest Emenyo̲nu

"These twenty-eight essays offer a variety of critical perspectives on African literature from scholars, writers and experienced teachers of this subject. They reveal the diverse emotions and sensitivities with which Africans perceiving themselves as the target audience of African writers, respond to contemporary African fiction.". "Among the contributors are a new generation of young African writers whose studies include the works of a number of established and emerging African Writers about whom there is little criticism now in existence."--BOOK JACKET.

A shy Nigerian boy loves his mother and older sister but fears his father's magical powers.

Easily the leading and most engaging voice of her era and generation, Chimamanda Ngozi Adichie has bridged gaps, introduced new motifs and narrative varieties which have energized contemporary African fiction since her first novel, Purple Hibiscus (2003). With Half of a Yellow Sun (2007) and The Thing Around Your Neck--Short Stories (2009), she established herself as a preeminent story-teller. Americanah (2013), with ingenuous craftsmanship addresses the sensitive themes of passionate love, independence, freedom and moral responsibility with extravagant and versatile narrative innovations. Through her writings, she has made herself relevant to people of all ages--across racial and linguistic boundaries. Her talks, blogs, musings on social media, essays and commentaries, workshop-mentoring for budding young writers, lecture circuit discourses, all enrich her imaginative creativity as they expand and define her mission as a writer. "We Should All be Feminists" she proclaimed in an essay, giving feminism a "tweak and twist" and suggesting new outlooks in literary theory. Her contributions to African, Diasporic and World literatures deserve serious analyses, commentaries and interpretations, and this Companion to her work critically examines her creative outputs from her art and ideology, from feminism to war, to matters of myth and perception, and the challenges of multicultural existence and complex human identities.

This special issue focuses on literary texts by African writers in which the protagonist returns to his/her "original" or ancestral "home" in Africa from other parts of the world. Ideas of return - intentional and actual - have been a consistent feature of the literature of Africa and the African diaspora: from Equiano's autobiography in 1789 to Chimamanda Ngozi Adichie's 2013 novel Americanah. African literature has represented returnees in a range of locations and dislocations including having a sense of belonging, being alienated in a country they can no longer recognize, or experiencing a multiple sense of place. Contributors, writing on literature from the 1970s to the present, examine the extent to which the original place can be reclaimed with or without renegotiations of "home" --

A recent literary phenomenon in contemporary Africa is the developing relationship between film and African literature. ALT 28 focuses on the interface between film and literature in contemporary African writing and imagination. Contributors have examined the issue from a variety of perspectives: critiques of adaptations of African creative works into film, analyses of filmic structures in African dramatic literature, African writers as film makers, and the impact of the video film industry on literature and the reading culture in Africa. -- Publisher description.

"Creativity has flourished in Egypt, a historically important and strategically located North African country and a leading nation in the Arab world. The main focus in this volume is to examine Egyptian writers, especially those whose works have enriched African Literature through their depiction of historical, cultural and socio-political forces such as Naguib Mahfouz, Yusuf Idris, Nawal El Saadawi, Ahdaf Soueif, Tawfiq al-Hakim and Alifa Rifaat (Fatimah Rifaat). Writing in both Arabic and the English language, their thematic concerns have been as versatile as they have been controversial. Nawal El Saadawi provides a Foreword to the volume and an interview. This volume also includes a non-themed section of Featured Articles and a Literary Supplement"--Boydell & Brewer Publishers' website, March 2, 2018.

"This special issue of African Literature Today focuses on new novels by emerging as well as established African novelists. This is a seminal work that in various ways seeks to discuss the validity of the general notion that the new generation of African novelists is remarkably different in vision, style, and worldview from the older generation. The contention is that the older generation novelists who were too close to the colonial period in Africa had invariably made culture-conflict and little else their dominant thematic concern while the younger generation novelists are more versatile in their thematic preoccupations, and are more global in their vision and style. Do the facts in the novels justify and validate these claims?"--BOOK JACKET.

Princess Mmaeyen and Other Stories is a collection of six short stories with varied themes. From Nigeria's early postcolonial experience, to the quest for democracy, sexual abuse, deception of the clergy, and corruption in the ivy tower, Emenyonu's book explores themes that are uniquely Nigerian. The book is reminiscent of the country's history, yet, its message is valid and very useful for modern-day Nigeria and Nigerians.

"Over the past two decades, there has been a resurgence in the writing of African and African diaspora speculative and science fiction writing. Discussions around the 'rise' of science-fiction and fantasy have led to a push-back by writers and scholars who have suggested that this is not a new phenomenon in African literature. This collection focuses on the need to recalibrate ways of reading and categorising this grenre of African writing through critical examinations both of classics such as Kojo Laing's Woman of the Aeroplanes (1988) and Ngũgĩ wa Thiong'o's oeuvre, as well as more recent fiction from writers including Nnedi Okorafor, Namwali Serpell and Masande Ntshanga."--Back cover.