Elsa Morante

"On a small island in the Tyrrhenian Sea, there lives a boy as innocent of sin and the great world as a seabird. Arturo's mother is dead; his father away - we are never quite sure where. Black-clad women care for him, run the house, give him the freedom to come and go as he likes.Then the father returns from the mainland with a new wife, Nunziata, who is in fact a girl barely older than Arturo himself. At first hatred and contempt are all the boy feels for his stepmother, but she responds differently and soon his hatred is replaced by feelings that are strange to him. On this island, as distant from the real world as the fantastical Bermuda in Shakespeare's The Tempest, Arturo and Nunziata recreate the tragedy and passion that are as old as the history of men and women."--BOOK JACKET.

Les thèmes de ce roman de l'auteure de ##La Storia## sont bien présentés par le critique de La Presse : "la beauté et le temps qui passe et le souvenir de la beauté qui est le souvenir de l'amour qu'on portait à quelqu'un ... ". De belles pages sur l'amour mère-fils.

The central character in this powerful and unforgiving novel is Ida Mancuso, a schoolteacher whose husband has died and whose feckless teenage son treats the war as his playground. A German soldier on his way to North Africa rapes her, falls in love with her, and leaves her pregnant with a boy whose survival becomes Ida's passion. Around these two other characters come and go, each caught up by the war which is like a river in flood. We catch glimpses of bombing raids, street crimes, a cattle car from which human cries emerge, an Italian soldier succumbing to frostbite on the Russian front, the dumb endurance of peasants who have lived their whole lives with nothing and now must get by with less than nothing.