Elizabeth Carolyn Miller

This title explores the literary culture of Britain's radical press from 1880 to 1910, a time that saw a flourishing of radical political activity as well as the emergence of a mass print industry.

The prime suspect in her brother's murder: Max Pershing. He's the man Ava Renault has secretly loved since girlhood--against her controlling mother's wishes. The wealthy Pershings have a longstanding feud with the even wealthier Renaults. Still, Ava believes that Max is innocent...believes it strongly enough to give him her heart. But if he's not the killer, then who set him up? Who's the real murderer?

Hensley and Steer look to join the conceptual tools of contemporary ecocriticism with the rich archive of nineteenth century thinking about imperial and ecological intertwinement. This collection of essays draws on that archive to demonstrate the relevance of Victorian thought for current theory and practice. Ecological Form argues that ecology, the empire, and literary thinking were inseparable during the Victorian period; and its claim that connections among these domains challenge the methodological assumptions of both contemporary ecocriticism and literary and cultural studies