Dorothy Scarborough

The Willows / Algernon Blackwood The Shadows on the Wall / Mary E. Wilkins Freeman The Messenger / Robert W. Chambers Lazarus / Leonid Andreyev The Beast with Five Fingers / W.f. Harvey The Mass of Shadows / Anatole France What Was It? / Fitz James O'brien The Middle Toe of the Right Foot / Ambrose Bierce The Shell of Sense / Olivia Howard Dunbar The Woman At Seven Brothers / Wilbur Daniel Steele At the Gate / Myla Jo Closser Ligeia / Edgar Allan Poe The Haunted Orchard / Richard le Gallienne The Bowmen / Arthur Machen A Ghost / Guy de Maupassant

In "The Supernatural in Modern English Fiction," Dorothy Scarborough embarks on a detailed exploration of the integration of supernatural elements within English literature from the late 19th to early 20th centuries. The book employs a meticulously scholarly style, offering critical analyses of prominent works and illuminating how authors of this period employed the supernatural as a vehicle to interrogate contemporary societal anxieties and existential issues. Scarborough deftly examines the thematic threads that connect a wide range of texts, from the eerie atmospheres of ghost stories to the psychological complexities of modernist narratives, situating these works within the broader tapestry of literary and cultural movements of her time. Dorothy Scarborough, an accomplished writer and scholar, holds a unique position in the literary landscape, blending her own creative talents with a deep academic understanding of narrative theory and folklore. Her background, marked by a keen interest in the supernatural and its cultural significance, informed her writing of this book, showcasing her ability to bridge literature and the cultural zeitgeist. Scarborough's insights, derived from her teaching and literary scholarship, render her an authoritative voice in the discourse surrounding the supernatural in fiction. This book is an essential read for scholars and enthusiasts of English literature, as it not only delves deep into the genre of the supernatural but also challenges readers to consider how these narratives reflect the fears and desires of their time. Scarborough's work invites us to reconsider our readings of modern English fiction through a supernatural lens, making it an invaluable resource for those seeking to elevate their understanding of this captivating genre.

Traces Negro folksongs back to their American beginnings. Dance songs, ballads, lullabies, work songs, and others are discussed.