Dorothy Richardson

Pointed Roofs is the first installment in Dorothy M. Richardson’s Pilgrimage sequence of autobiographical novels. It is also one of the first novels identified with the modernist technique of stream of consciousness. Set in the early 1890s, Pointed Roofs centers on seventeen-year-old Miriam Henderson. After her family runs into financial troubles, Miriam is sent to Germany to teach English at a finishing school in Hanover. The narrative chronicles Miriam’s daily life at the school, as well as outings to the city and the countryside with the other teachers and pupils. All the while, it tells of her experience of living abroad, her attitude to the people around her, her future prospects, and her thoughts on religion, literature, and the status of women in society.

Marcus, the English mole, and his French cousin, Pierre, dig a tunnel under the English Channel on opposite directions and finally meet at the middle of the book.

Windows on Modernism collects approximately one quarter of the eighteen hundred or so known surviving letters of Dorothy Richardson (1873-1957), author of the thirteen-volume serial novel Pilgrimage. An uncompromising and utterly original novelist, Richardson was perhaps the first English writer to employ the style that came to be known as stream of consciousness. She stands alongside Joyce, Woolf, and Proust as one of the great experimentalists in modern prose fiction. By her own estimation the number of words Richardson devoted annually to correspondence was almost equivalent to three of her books. Given the strength of her epistolary urge and the autobiographical nature of Pilgrimage, the letters in Windows on Modernism will stimulate fresh inquiries into Richardson's life and art and their interactions. In light of Richardson's attempt to represent a generation and class of late Victorian and Edwardian women in her fiction, the letters can also be read as cultural documents, conveying the texture of their author's daily life in a world shaped by social and sexual awakenings amid the competing forces of humanism, communism, and fascism.

The People, humanoid beings forced to emigrate to Earth when their home world is destroyed, settle in the American Southwest and attempt to preserve their culture and paranormal abilities.

Beautiful young Kamala Lindsey knew she had to run away. Her cruel uncle, with his Victorian ideas, had threatened her life if she did not marry whom he wanted --a tired old man of sixty! And so, she did run. She was going to France to start a new life of her own. But on her way she met the hand-some dark stranger Conrad Veryan, a man desperate for riches but more desperate for love. He was traveling to Mexico in search of diamonds and Kamala decided to go with him. It proved to be no ordinary trip. Kamala suddenly found herself caught in a dangerous web of intrigue and threatening peril in Mexico.

While compiling a genealogy of her family of successful attorneys, sixteen-year-old history buff Ivy Breedlove treks into the mountain wilderness to interview a reclusive aunt with whom she identifies and who in turn helps her to truly know herself and her family.

"Two murders have rocked the city of Houston. When two FBI agents with opposite investigative styles are partnered on the case, their differences threaten to leave them deadlocked until an attempt on their lives brings them closer together"--