Donald Tyson

Based around the idea of an unknown author of the iconic dark book the Necronomicon. The book follows a commoner from Yemen in the courts of an Arabian king. Swept into delirious dreams and prophetic nightmares, he feels he must escape back to the comfort of the world he knows, without understanding how or why such things are happening. The book explores many of the ideas which are intrinsic to modern witchcraft and inspired by the cosmic horror of H.P. Lovecraft, the book reads as a classic set in the background of Neil Gaiman's the Graveyard book.

Say goodbye to ceremonial robes, incense, candles, and oils. Donald Tyson presents a new, easy way to perform ritual magic with only one tool: tarot. From manipulating elemental forces of nature to making potent charms, all ceremonial rituals can be performed with a standard 78-card deck. Tyson's efficient system of tarot magic is based on the Golden Dawn tradition, which corresponds with tarot imagery. He teaches how to work magic on the astral level by projecting one's awareness into the ritual tarot layout. Learn how to set up an astral temple, build an altar, cast a magic circle, and create a triangle through which to actualize your purpose. This innovative guide to tarot magic also includes rituals related to unions, business, banishing, and evoking elementals.

From Goodreads: Alison Lurie is known for the sophisticated satire and Pulitzer-winning prose of her novels and stories. In Familiar Spirits, she lovingly evokes two true-life intimates who are now lost to her. In her signature mix of comedy and analysis Lurie recalls Merrill and his longtime partner, David Jackson and their lives together in New York, Athens, Stonington, Connecticut, and Key West. Familiar Spirits reveals both the worldly and other worldly sources of what Merrill called his "chronicles of love and loss". Merrill was known for the autobiographical element in his work and here, we are introduced to the over thirty years of Ouija board sessions that brought gods and ghosts into his and David Jackson's lives, and also into Merill's brilliant book length poem, The Changing Light at Sandover. Lurie suggests that Jackson's contribution to this work was so great that he might, in a sense, be recognized as Merrill's coauthor. Her account of Merrill and Jackson's long and inspired relationship with the supernatural and its tragic end will not only surprise many readers, but stand as a poignant memorial to her lost friends.