David J. Skal

"Using a mix of personal anecdotes and perceptive social analysis, Skal examines the amazing phenomenon of Halloween, exploring its dark Celtic history and illuminating why it has evolved - in the course of a few short generations - from a quaint small-scale celebration into the largest seasonal marketing event outside of Christmas."--BOOK JACKET.

In Screams of Reason, David J. Skal explores our perennial fascination with demented doctors, crazed clinicians, and technology-obsessed fiends. From nineteenth-century Romantic literature to Dr. Strangelove and Hannibal Lecter, the mad scientist proves himself to be a figure of myriad masks and guises - a far more interesting archetype than the nerd-run-amok of B-movies would indicate. Screams of Reason is an exploration of the prop-laden laboratories of 1930s Hollywood, the mad-science mystique that colors the cult of the computer, the pseudo-science folklore of UFO abductions, and the demonization of doctors and medicine in the brave new world of HMOs and managed care.

"I'll show you what horror means," snarled Fredric March in the 1931 film version of Dr. Jekyll and Mr. Hyde. Six decades later, the acclaimed author of Hollywood Gothic makes good on Mr. Hyde's promise with the most ambitious and entertaining history of the genre ever published. America is in love with horror, with demon children, gender-bending vampires, and the battlefield aesthetic of post-Vietnam movies. Horror entertainment in all its forms - from Dracula, Frankenstein, and the Phantom of the Opera to Stephen King, Anne Rice, and the Terminator, from Tod Browning's "Freaks" to the photographs of Diane Arbus and the neo-Gothic trappings of heavy metal music - is a multi-billion-dollar cultural juggernaut. Illuminating the dark side of the American century, this provocative book uncovers the surprising links between horror entertainment and the great social crises of our time, as well as horror's function as a pop analogue to surrealism and other artistic movements. With penetrating social analysis and revealing anecdote, David Skal chronicles one of our most popular and pervasive modes of cultural expression. He explores the disguised form in which Hollywood's classic horror movies played out the traumas of two world wars and the Depression; the nightmare visions of invasion and mind control catalyzed by the Cold War; the preoccupation with demon children that took hold as thalidomide, birth control, and abortion changed the reproductive landscape; the vogue in visceral, transformative special effects that paralleled the development of the plastic surgery industry; the link between the AIDS epidemic and the current fascination with vampires; and much more.

First published in 1897, Dracula has had a long and multifaceted afterlife - one rivaling even its immortal creation; yet Bram Stoker has remained a hovering specter in this pervasive mythology. In Something in the Blood, David J. Skal exhumes the inner world and strange genius of the writer who birthed an undying cultural icon, painting an astonishing portrait of the age in which Stoker was born - a time when death was no metaphor but a constant threat easily imagined as a character existing in flesh and blood.

IT WAS THE ADULTS WHO HAD TAMPERED WITH MOTHER NATURE... Now the genetic code of every living creature on earth resembled an IBM card that had been folded, bent and mutilated. The State has like a computer gone wild, and the Head of State could only be recognized by a trail of discarded disguises. IF THE CHILDREN HAD COME FROM MOTHER NATURE, THEY WOULD HAVE BEEN HER MOST PERFECT CREATIONS It was no small wonder that childless couples like Kevin and Linda became obsessed with having one of their own. A chid could give them hope, salvation! But something was wrong. The children seemed to be taking over. That's when Little Tyke was delivered to Linda.

A meteor from space causes the dead to rise from their graves to feast on the living, thus wreaking havoc with civilization and the romance of the main characters.