David Harvey

The French Quarter: where seduction is a game...The Game: ObsessionThe Players: Josie Villefranche, notorious hotel owner; Drew Morrison, business sharkObject of the Game: Have a Cajun-hot love affair, without getting burnedBordello-turned-hotel-owner Josie has a hands-off rule when it comes to men. Too many have wanted her only for her talents in bed. But when too-sexy-to-resist Drew checks in, she decides to make an exception: use him, then lose him—no regrets.Ruthless businessman Drew has a hidden agenda: to buy the cash-strapped hotel. But he's been bedding its bewitching proprietor instead. When a murder puts Josie in both financial and legal trouble, Drew must make a choice: grab the hotel and run—or sacrifice everything for another night in her bed....

"Paris has long been one of the most influential cities in the world, but it was during the days of the "Second Empire" that the city became the template for modernity as we have come to know it. In the period between the failed revolutions of 1848 and 1871, Paris underwent a stunning transformation. Baron Hausmann, the city's legendary prefect, orchestrated the physical makeover of Paris, replacing the city's medieval plan with the grand boulevards that dominate the city to this day. Just as important, the era saw both the rise of a new form of capitalism dominated by high finance and the emergence of modern consumer culture. The sweeping social and physical changes elicited the novel cultural response of "modernism," but also further divided the city along class lines. The result was the rise and bloody suppression of the Paris Commune in 1871, which is recounted here in vivid detail. Making sure to place social and economic forces at the heart of the story, Paris, Capital of Modernity provides a dramatic and panoramic account of this pivotal era, and will stand alongside Carl Schorske's Fin-de-Siecle Vienna as a definitive history of the emergence of the modern city."--BOOK JACKET.

This book engages with the politics of social and environmental justice, and seek new ways to think about the future of urbanization in the twenty-first century. It establishes foundational concepts for understanding how space, time, place and nature - the material frames of daily life - are constituted and represented through social practices, not as separate elements but in relation to each other. It describes how geographical differences are produced, and shows how they then become fundamental to the exploration of political, economic and ecological alternatives to contemporary life. Justice, Nature and the Geography of Difference speaks to a wide readership of students of social, cultural and spatial theory and of the dynamics of contemporary life. It is a convincing demonstration that it is both possible and necessary to value difference and to seek a just social order.

Traces the development of the concept of postmodernism, explains its differences with modernism, and discusses political and social influences.

This book makes available to undergraduates the author's recent writing (including a new essay on flexible accumulation and the city of spectacle) on the physical and social environment of western cities, in which he explores the links between the processes and pressures of urbanization, the culture of urban life - in effect the culture of the west - and the nature of capitalism in the post-industrial world. The collection contains three of the five essays from "Consciousness and the Urban Experience" and four of the eight from "The Urbanization of Capital". The essays embody the combination of theory, observation and interpretation most characteristic of the author's recent work, and address the needs and interests of students of urban processes in departments of geography, sociology and politics. The book is aimed at students of urbanization and urban society in departments of geography, sociology and politics.

The Urbanization of Capital (Harvey, 1985b), a collection of six papers published during the previous decade together with two new chapters, does exactly what it says on the cover: It explores the question of how capital -- which Harvey, following Marx, theorizes as a process rather than a thing -- becomes urbanized. [...] Harveyʹs explicit aim [...] is to ground our understanding of capitalist urbanism within the Marxian theory of accumulation, so it is with this concept that we must begin. After Marx, Harvey claims that there is in the capitalist production process an inherent tendency toward overaccumulation, whereby "too much capital is produced in aggregate relative to the opportunities to employ that capital." -- From (March 14, 2016).

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