Cory Rushton

Malory's Morte Darthur is now a canonical and widely-taught text. Recent decades have seen a transformation and expansion of critical approaches in scholarship, as well as significant advances in understanding its milieu: textual, literary, cultural and historical. This volume adds to and updates on the influential Companion of 1996, offering scholars, teachers and students alike a full guide to the text and the author. The essays it contains provide a synthetic overview of, and fresh perspectives on, the key questions about and contexts connected with the Morte.

"It is often said that the past is a foreign country where they do things differently, and perhaps no type of 'doing' is more fascinating than sexual desires and behaviours. Our modern view of medieval sexuality is characterised by a polarising dichotomy between the swooning love-struck knights and ladies of romance on one hand, and the darkly imagined and misogyny of an unenlightened 'medieval' sexuality on the other. British medieval sexual culture also exhibits such dualities through the influential paradigms of sinner or saint, virgin or whore, and protector or defiler of women. However, such sexual identities are rarely coherent or stable, and it is in the grey areas, the interstices between normative modes of sexuality, that we find the most compelling instances of erotic frisson and sexual expression. This collection of essays brings together a wide-ranging discussion of the sexual possibilities and fantasies of medieval Britain as they manifest themselves in the literature of the period. Taking as their matter texts and authors as diverse as Chaucer, Gower, Dunbar, Malory, alchemical treatises, and romances, the contributions reveal a surprising variety of attitudes, strategies and sexual subject positions."--Publisher's Web site.

"This book explores numerous aspects of the zombie phenomenon, from its roots in Haitian folklore, to its evolution on the silver screen, to its most radical transformation during the 1960s countercultural revolution. Contributors examine the zombie and its relationship to colonialism, orientalism, racism, globalism, capitalism and more"--Provided by publisher.

This edited work provides an examination of the erotic in medieval literature which includes articles on the role of clothing and nudity, the tension between eroticism and transgression and religion and the erotic.

Until the Dominion War, the pre-warp civilization on Coroticus III was under observation by the Federation – and then the Dominion moved in. Forced to abandon the planet – and leave a person behind – Starfleet does not return until after the war is over and the Dominion has pulled out. Carol Abramowitz and a team from the da Vinci must now determine the extent to which the Dominion contaminated Corotican culture – but that's the least of the S.C.E.'s problems, as they uncover a mass-murderer, who may be the Starfleet officer left behind…

The Dominion War has been over for a year, but its legacy lives on. Commander Sonya Gomez, former Starship Enterprise engineer, and her crack Starfleet Corps of Engineers team on the USS da Vinci find themselves dealing with many permutations of that legacy. Two mysterious murders on the da Vinci lead to the Gamma Quadrant and a Dominion base. A pre-warp planet occupied by the Dominion still has scars from both sides of that conflict. Plus Gomez, computer expert Soloman, and Security Chief Corsi are haunted by demons from their past. But the greatest threat of all comes from a visit to Deep Space 9. A fissure has opened up between realities, endangering the very existence of the Bajoran system – and also stranding Doctors Lense and Bashir on a war-torn planet from which they may never escape.