Charlee Jacob

DREAD IN THE BEAST used to be a novella about the goddess of waste and the king of wasters. Now it is a novel, stuffed full of the gruesome and horrible. Taken from the mythologies and histories of humankind, it follows the trail of the Mother Spririt of the worst that the world is capable of producing.

Tawne Delaney is not what men consider beautiful and, at 37, is very lonely. She fantasizes about her dream lover--but the man she meets is a nightmare. Arcan Tyler is a rapist and murderer, possessed by animal spirit forces. If they are unleashed, he will cease to be human. For now, Arcan is all too human, and finds something new and rare in Tawne. But love among these creatures is not romantic: it is parasitic

As the crippled residents of a Cambodian village try to rebuild their shattered lives, their god Shiva returns to them, providing a dream of survival. But when Shiva returns in the body of a former American GI, the villagers' hope for peace comes in a drug that opens the door to untold horrors. Original

"The desert is the ultimate place of illusion. A space of silence, mystery and solitude, it is both a setting and a vehicle for dreams and myths, a place where the horizon seems to evaporate and where all visual landmarks are absent.". "Europe's discovery of the desert in the nineteenth century went hand-in-hand with the invention of photography. This catalogue examines the ways in which photography has captured the desert, and how cinema, relayed by video, shows it. It is organized around a series of images of the desert landscape by such artists as Herge, Wilfred Thesiger, Bill Viola, Balthasar Burkhard, Raymond Depardon, William Eggleston, Lee Friedlander and Pier Paolo Pasolini. Many of these works - executed in the Sahara and in the deserts of Namibia, Libya, Australia and the American Southwest - have been specially commissioned for this volume."--BOOK JACKET.