Benjamin Moser

"Martin is convinced that he has murdered his wife. In a delirium of guilt and grief, he wanders through a forest until he comes across an isolated farm run by Vitoria - an indomitable spinster who is 'afraid to live', and her flighty, obsessive cousin Ermelinda, who is terrified of death. As Martin works on Vitoria's land he is both haunted and comforted by memories of his wife and son." "In the intense heat of the Brazilian summer, drought threatens both the farm and its inhabitants, and these three very different but equally domineering characters provoke each other into a realisation of their individual psychological isolation."--Jacket.

No writer is as emblematic of the American twentieth century as Susan Sontag. Mythologized and misunderstood, lauded and loathed, a girl from the suburbs who became a proud symbol of cosmopolitanism, Sontag left a legacy of writing on art and politics, feminism and homosexuality, celebrity and style, medicine and drugs, radicalism and Fascism and Freudianism and Communism and Americanism, that forms an indispensable key to modern culture. She was there when the Cuban Revolution began, and when the Berlin Wall came down; in Vietnam under American bombardment, in wartime Israel, in besieged Sarajevo. She was in New York when artists tried to resist the tug of money—and when many gave in. No writer negotiated as many worlds; no serious writer had as many glamorous lovers. Sontag tells these stories and examines the work upon which her reputation was based. It explores the agonizing insecurity behind the formidable public face: the broken relationships, the struggles with her sexuality, that animated—and undermined—her writing. And it shows her attempts to respond to the cruelties and absurdities of a country that had lost its way, and her conviction that fidelity to high culture was an activism of its own. Utilizing hundreds of interviews conducted from Maui to Stockholm and from London to Sarajevo—and featuring nearly one hundred images—Sontag is the first book based on the writer’s restricted archives, and on access to many people who have never before spoken about Sontag, including Annie Leibovitz. It is a definitive portrait—a great American novel in the form of a biography.

""The book itself is strange-part Faulknerian meditation on the perversities, including sexual, of degenerate country folk; part Dostoevskian examination of good and evil and God-but in its strangeness lies its rare power, and in the sincerity and seriousness with which the essential questions are posed lies its greatness."--Benjamin Moser, from the introduction. Long considered one of the most important works of twentieth-century Brazilian literature, Chronicle of the Murdered House is finally available in English. Set in the southeastern state of Minas Gerais, the novel relates the dissolution of a once proud patriarchal family now represented by Timoteo, a gay scion who wanders the ancestral mansion dressed in his mother's clothes. This downfall, peppered by stories of decadence, adultery, incest, and madness, is related through a variety of narrative devices, including letters, diaries, memoirs, statements, confessions, and accounts penned by the various characters. Lúcio Cardoso (1912-1968) turned away from the social realism fashionable in 1930s Brazil and opened the doors of Brazilian literature to introspective works such as those of Clarice Lispector-his greatest follower and admirer."--