Alice Notley

A bold and strikingly original new work from one of America's greatest living poets Alice Notley is considered by many to be among the most outstanding of living American poets. Notley's work has always been highly narrative, and her new book mixes short lyrics with long, expansive lines of poetry that often take the form of prose sentences, in an effort "to change writing completely." The title piece, a folksong-like lament, makes a unified tale out of many stories of many people; the middle section, "The Black Trailor," is a compilation of noir fictions and reflections; while the shorter poems of "Hemostatic" range from tough lyrics to sung dramas. Full of curative power, music, and the possibility of transformation, In the Pines is a genre- bending book from one of our most innovative writers.

Alice Notley's Alma, or The Dead Women is a cross-genre book, poem/novel, poetry/prose, comedy/tragedy, that submits to no discipline but its own and was conceived by the author in a state of personal, national and planetary grief. In this book, Alma, the true god of our world, is a foul-mouthed middle-aged working-class woman, a junkie who injects heroin into the center of her forehead and dreams and suffers our nightmares with us. With the Dead Women, a community of spirits she attracts before but especially after September 11, 2001, Alma surveys with disbelief and horror the actions of the United States government as it perpetrates one war and prepares for another.

Poetry. A 30-page limited edition chapbook with cover by Will Yackulic.

Coming After gathers critical pieces by acclaimed poet Alice Notley, author of Mysteries of Small Houses and Disobedience. Notley explores the work of second-generation New York School poets and their allies: Ted Berrigan, Anne Waldman, Joanne Kyger, Ron Padgett, Lorenzo Thomas, and others. These essays and reviews are among the first to deal with a generation of poets notorious for their refusal to criticize and theorize, assuming the stance that "only the poems matter." The essays are characterized by Notley's strong, compelling voice, which transfixes the reader even in the midst of professional detail. Coming After revives the possibility of the readable book of criticism.

From Jane Hamilton, author of the beloved New York Times bestsellers A Map of the World and The Book of Ruth, comes a warmly humorous, poignant novel about a young man, his mother's e-mail, and the often surprising path of infidelity. Henry Shaw, a high school senior, is about as comfortable with his family as any seventeen-year-old can be. His father, Kevin, teaches history with a decidedly socialist tinge at the Chicago private school Henry and his sister attend. His mother, Beth, who plays the piano in a group specializing in antique music, is a loving, attentive wife and parent. Henry even accepts the offbeat behavior of his thirteen-year-old sister, Elvira, who is obsessed with Civil War reenactments and insists on dressing in handmade Union uniforms at inopportune times. When he stumbles on his mother's e-mail account, however, Henry realizes that all is not as it seems. There, under the name Liza38, a name that Henry innocently established for her, is undeniable evidence that his mother is having an affair with one Richard Polloco, a violin maker and unlikely paramour who nonetheless has a very appealing way with words and a romantic spirit that, in Henry's estimation, his own father woefully lacks. Against his better judgment, Henry charts the progress of his mother's infatuation, her feelings of euphoria, of guilt, and of profound, touching confusion. His knowledge of Beth's secret life colors his own tentative explorations of love and sex with the ephemeral Lily, and casts a new light on the arguments-usually focused on Elvira-in which his parents regularly indulge. Over the course of his final year of high school, Henry observes each member of the family, trying to anticipate when they will find out about the infidelity and what the knowledge will mean to each of them. Henry's observations, set down ten years after that fateful year, are much more than the "old story" of adultery his mother deemed her affair to be. With her inimitable grace and compassion, Jane Hamilton has created a novel full of gentle humor and rich insights into the nature of love and the deep, mysterious bonds that hold families together.

Alice Notley vividly reconstructs the mysteries, longings, and emotions of her past in this brilliant new collection of poems that charts her growth from young girl to young woman to accomplished artist. In this volume, memories of her childhood in the California desert spring to life through evocative renderings of the American landscape, circa 1950. Likewise, her coming of age as a poet in the turbulent sixties is evoked through the era's angry, creative energy. As she looks backward with the perspective that time and age allows, Notley ably captures the immediacy of youth's passion while offering her own dry-eyed interpretations of the events of a life lived close to the bone. Like the colorful collages she assembles from paper and other found materials, Notley erects structures of image and feeling to house the memories that swirl around her in the present.In their feverish, intelligent renderings of moments both precise and ephemeral, Notley's poems manage to mirror and transcend the times they evoke. Her profound tributes to the stages of her life and to the identities she has assumed—child, youth, lover, poet, wife, mother, friend, and widow—are remarkable for their insight and wisdom, and for the courage of their unblinking gaze.

In The Descent of Alette, Alice Notley presents a feminist epic, a bold journey into the deeper realms. Alette, the narrator, finds herself underground, deep beneath the city, where spirits and people ride endlessly on subways, not allowed to live in the world above. Traveling deeper and deeper, she is on a journey of continual transformation, encountering a series of figures and undergoing fragmentations and metamorphoses as she seeks to confront the Tyrant and heal the world. Using a new measure, with rhythmic units indicated by quotation marks, Notley has created a "spoken" text, a rich and mesmerizing work of imagination, mystery, and power.

Notley transgresses conventional contemporary categories of genre; rather than genre, the form of the writing is the mind's inner sense and motion.

Poetry. "Entertaining, moving, Notley's work engages ever-deepening areas of division and isolation while settling for nothing less than a restoration of wholeness" —Joseph Donahue.

This is a short book of poetry by Notley in a format similar to small editions of New Directions. It was published in an edition of 500.

“These poems, for the most part imaginary conversations with herself, are energetic, good clean fun. They also contain some serious under currents. At their best, they tease readers into a new way of viewing their surroundings” —Library Journal

Color illustrations of the Australian bush accompany the poem which, sung to the tune of an old English marching song, has become practically an Australian national anthem.