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Jan 1, 1838 — Jan 1, 1923· 85 yrs

UNITED STATES AUTHOR · INDIANS OF NORTH AMERICA · MUSIC

Alice C. Fletcher

Also known as: Alice Cunningham Fletcher, Francis La Flesche, John Comfort Fillmore, Fletcher, Alice Cunningham, 1845-1943.

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Havana, United States
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AFTER more than ten years of constant study, during which I have had the invaluable aid of Mr. FRANCIS LA FLESCHE and the technical council and assistance of Miss SARAH ELIOT NEWMAN and Prof. JOHN COMFORT FILLMORE, I no longer hesitate to present to the public the following collection of Omaha Indian Songs, feeling confident that therein is truthfully set forth in a manner intelligible to members of my own race the Indian's mode of expressing emotion in musical forms.

— from A study of Omaha Indian music

Most acclaimed

#1

Indian Games And Dances With Native Songs

1970

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#2

The Omaha tribe

1911

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This classic treatise on the Omahas is based on twenty-nine years of study and observation in the field. "Nothing has been borrowed from other observers,'" Alice C. Fletcher writes in the Foreword. Volume II considers social life and societies, music, warfare, treatment of disease, death and burial customs, religion, and language. The first chapter on Social life includes information on kinship, courtship, marriage, child raising, etiquette, avocations of men, of women, clothing, adornment, property, and amusement. An Appendix traces the history of the tribe since the coming of the white man and describes the effects of that contact.

#3

The Hako

1960

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"One of the more complex and widespread rituals practiced by Native American groups focused on the calumet, a sacred pipe with a feathered shaft. The Calumet Ceremony was a powerful ritual through which members of another tribe were adopted. It also promoted social unity within tribes and facilitated contact and trade between them.". "Perhaps the most detailed description of a Calumet Ceremony was recorded near the turn of the century by ethnographer Alice C. Fletcher. Fletcher witnessed the Hako, a version of the Calumet Ceremony practiced by the Chaui clan of the Pawnee. With the invaluable assistance of Tahirussawichi, a Pawnee Ku'rahus or ceremonial leader, and renowned Indian scholar James R. Murie, himself a Pawnee, the author describes in marvelous detail the intricate rhythm and structure of the ceremony. Each song of the Hako is transcribed, translated, interpreted by the Pawnee Ku'rahus, and later analyzed by the author. Fletcher concludes that the Hako promised longevity, fertility, and prosperity to individuals and worked to insure "friendship and peace" between clans and tribes." "The Hako, originally published in 1904, is introduced by Helen Myers, an associate professor of music at Trinity College and the ethnomusicology editor of the New Grove Dictionary of Music and Musicians."--BOOK JACKET.

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