Alexandra Fuller

Colton H. Bryant was one of Wyoming's native sons and grown by that high, dry place, he never once wanted to leave it. “Wyoming loves me,” he said, and it was true. Wyoming—roughneck, wild, open, and searingly beautiful—loved him, and Colton loved it back. As a child in school, Colton never could force himself to focus on his lessons. Instead, he'd plan where he'd go fishing later, or he'd wonder how many jackrabbits he might find on his favorite hunting patch, or he'd dream about the rides he would take on the wild mare he was breaking. “At my funeral, you'll all feel sorry for making me waste so much time in school,” he said to his best friend Jake—and it was true. Two things got Colton through the boredom of school and the neighborhood “K-mart cowboys” who bullied him: His best friend Jake and his favorite mantra, a snatch of a saying he heard on TV: Mind over matter—which meant to him: If you don't mind, it don't matter. Colton and Jake grew up wanting nothing more than the freedom to sleep out under the great Wyoming night sky, to hunt and fish and chase the horizon and to be just like Colton's dad, a strong and gentle man of few words. When it was time for Colton to marry and make money on his own, he took up as a hand on an oil rig. It was dangerous work, but Colton was the third generation in his family to work on the oil patch and he claimed it was in his blood. And anyway, he joked, he always knew he'd die young. Colton did die young, and he died on the rig—falling to his death because the drilling company had neglected to spend two thousand dollars on the mandated safety rails that would have saved his life. His family received no compensation. But they didn't expect to—they knew the company's ways, and after all as Colton would have said: Mind over matter. In Scribbling the Cat, Alexandra Fuller brought us the examined life of a Rhodesian soldier; now—in her inimitable poetic voice and with her pitch-perfect ear for dialogue—she brings before us the life of someone much closer to home, as unexpected as he is iconic. The moving, tough, and in many ways quintessentially American story of Colton H. Bryant's life could not be told without also telling the story of the land that grew him—the beautiful and somehow tragic Wyoming; the land where there are still such things as cowboys roaming the plains, where it's relationships that get you through, and where a just, soulful, passionate man named Colton H. Bryant lived and died.

With the same disarmingly unguarded prose that won her critical acclaim for Don't Let's Go to the Dogs Tonight, Alexandra Fuller tells of her unusual friendship with "K"—a white African and veteran of the brutal, racially divided Rhodesian War. An engrossing and haunting tale of love, godliness, hate, war, and survival, Scribbling the Cat recounts the journey she makes with K into the lands that hold the scars of their war, from Zambia through Zimbabwe (formerly Rhodesia) and into Mozambique. Driven by memories, they venture deeper into the countries' remote bush, where they encounter other veterans and survivors and confront the demons of K's past: a violent war marked by racial strife, jungle battles, torture, and the murdering of innocent civilians.

The author of Don't Let's Go to the Dogs Tonight traces her post-divorce confrontation of an upbringing in Africa that was overshadowed by the Rhodesian wars, her complicated parents and her courtship with her ex-husband--Publisher's description.

Ms. Fuller reads from her book, Don't let's go to the dogs tonight, an autobiography portraying the life of a white African girl growing up in the midst of the Rhodesian civil war in the 1970s. She describes growing up on several farms in southern and central Africa. Her father enlisted in the war on the side of the white minority government and was often away fighting, leaving Alexandra, her mother, and her sisters to take on the rigorous daily farm work.

Lakota Oglala Sioux Nation, South Dakota. Two Native American cousins, Rick Overlooking Horse and You Choose Watson, though bound by blood and by land, find themselves at odds as they grapple with the implications of their shared heritage. When escalating anger towards the injustices, historical and current, inflicted upon the Lakota people by the federal government leads to tribal divisions and infighting, the cousins go in separate directions: Rick chooses the path of peace; You Choose, violence. Years pass, and as You Choose serves time in prison, Rick finds himself raising twin baby boys, orphaned at birth, in his meadow. As the twins mature from infants to young men, Rick immerses the boys within their ancestry, telling wonderful and terrible tales of how the whole world came to be, and affirming their place in the universe as the result of all who have come before and will come behind. But when You Choose returns to the reservation after three decades behind bars, his anger manifests, forever disrupting the lives of Rick and the boys.

Cocktail Hour Under the Tree of Forgetfulness tells the story of the author's mother, Nicola Fuller. Nicola Fuller and her husband were a glamorous and optimistic couple and East Africa lay before them with the promise of all its perfect light, even as the British Empire in which they both believed waned. They had everything, including two golden children - a girl and a boy. However, life became increasingly difficult and they moved to Rhodesia to work as farm managers. The previous farm manager had committed suicide. His ghost appeared at the foot of their bed and seemed to be trying to warn them of something. Shortly after this, one of their golden children died. Africa was no longer the playground of Nicola's childhood. They returned to England where the author was born before they returned to Rhodesia and to the civil war. The last part of the book sees the Fullers in their old age on a banana and fish farm in the Zambezi Valley. They had built their ramshackle dining room under the Tree of Forgetfulness. In local custom, this tree is the meeting place for villagers determined to resolve disputes. It is in the spirit of this Forgetfulness that Nicola finally forgot - but did not forgive - all her enemies including her daughter and the Apostle, a squatter who has taken up in her bananas with his seven wives and forty-nine children. Funny, tragic, terrifying, exotic and utterly unself-conscious, this is a story of survival and madness, love and war, passion and compassion.

"When her father becomes gravely ill on holiday in Budapest, Alexandra Fuller rushes to join her mother at his bedside. Defiant until the end, together they see out his last days, and then they must navigate the bleak comedy of organising a cremation and the transport of ashes back to their family home in Africa. As they make this journey and begin to grieve together, Fuller realises that if she is going to weather her father's loss, she will need to become the parts of him that she misses most. A master of time and memory, Fuller moves seamlessly between the days and months following her father's death, and her memories of a childhood spent running after him in southern and central Africa. And her own life begins to change. She faces seemingly irreparable family fallout, new love found and lost, and eventually further, unimaginable bereavement, holding fast to the lessons her father taught her about how to survive, whatever life throws at you."--Amazon.com.