Albrecht Dürer
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Books
Schriften und Briefe
Das Gesamtwerk
Comprehensive searchable database of Dürer's work as well as critical essays on his life and work. Contains word processing software as well as software designed to allow modifications of individual art works. Data can be exported into graphical and word processing software.
Das Skizzenbuch von Albrecht Dürer: In der Königl. Öffentl. Bibliothek zu ...
Reproductions of a bound collection of various drawings made for Dürer's own reference or in preparation for some of his works, particularly Four books on human proportion.
Dürer in detail
Albrecht Dürer (1471-1528) is one of the most important and influential artists of the Northern Renaissance. He was a painter, printmaker and theorist and knew the major Italian artists of his time, such as Raphael, Bellini and Leonardo da Vinci. His enormous talent and skills as a draughtsman revealed themselves at a very young age: they can already be seen in the silverpoint Self-Portrait made in 1484 when he was barely 13 years old. Patronized from 1512 by the Emperor Maximilian I, Dürer realized numerous engravings, altarpieces, portrait and self-portraits, watercolors and books. His introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, secured his reputation as the most important figure of German Renaissance. Dürer in Detail reveals the work of the German master as never before, in breathtaking, full-page details. Till-Holger Borchert, German art historian and director of the Bruges Museums, describes Dürer's paintings, drawings and graphic masterpieces detail by detail, while offering original insights in clear and accessible language. The book is organized thematically and includes a biography, an annotated list of works and a suggested reading list
Durer in America
Catalog of an exhibition held at the National Gallery of Art, Washington, D.C., April 25 to June 6, 1971.
Of the just shaping of letters
A highly interesting facet of the work of a master eloquent in various spheres of art, this historically important little book is principally concerned with setting up precise rules for the geometric construction of Roman capitals. Written by Dürer in 1525.
Dürer ©
"Dürer ©: Selections from the Sunaert Collection" presents woodcuts and engravings by and after Albrecht Dürer (1471-1528) originally belonging to the Belgian painter and collector Adolf Pieter Sunaert (1825-1876). Never exhibited since their donation to the Universiteetsbibliotheek Gent in the late nineteenth century, these prints were objects of fascination both for Dürer's contemporaries and the following generations of print artists. Through an exploration of the dynamic relations between origins, copies, and artistic interpretation that animated Renaissance print culture, the exhibition addresses the manifold construction of authorship and authenticity in early modern Europe. Exhibition: Vandenhove Centre for Architecture and Art, Ghent, Belgium (10.05.-22.06.2019)