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Book Series

The Traveller's Companion series

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3.5
38 ratings
10
BOOKS
2,422
PAGES
~40h 22min
READING TIME

About Author

Dominique Aury

Anne Cécile Desclos (French: [deklo]; 23 September 1907 – 27 April 1998) was a French literary critic, journalist, and novelist who wrote under the pen names Dominique Aury and Pauline Réage. She is best known for her erotic novel Story of O (1954).

Description

Story of O (French: Histoire d'O [istwaʁ do]) is an erotic novel written by French author Anne Desclos under the pen name Pauline Réage, with the original French text published in 1954 by Jean-Jacques Pauvert. Desclos did not reveal herself as the author until 1994, 40 years after the initial publication. Desclos stated she wrote the novel as a series of love letters to her lover Jean Paulhan, who had admired the work of the Marquis de Sade. The novel shares with the latter themes such as love, dominance, and submission.

How the series evolves

beginning
#44 Histoire d'O
3.1· strong start
peak
#80 The young and evil
5.0· best book in series
the pit
Roman Orgy
0.0
finale
Florence, a travellers' companion
0.0· messes up the ending
overall
2.5· it's a rollercoaster

Books in this Series

#44

Histoire d'O

3.1 (10)
3

Story of O (French: Histoire d'O [istwaʁ do]) is an erotic novel written by French author Anne Desclos under the pen name Pauline Réage, with the original French text published in 1954 by Jean-Jacques Pauvert. Desclos did not reveal herself as the author until 1994, 40 years after the initial publication. Desclos stated she wrote the novel as a series of love letters to her lover Jean Paulhan, who had admired the work of the Marquis de Sade. The novel shares with the latter themes such as love, dominance, and submission.

#62

Teleny

3.0 (1)
0

Camille Des Grieux, a French man, attends a classical concert with his mother. When a Hungarian piano player named Rène Teleny starts to play, Des Greiux begins to have shared visions of lust with the piano player. This book is story of two men and their journey to and from each other, their hearts only made for one another.

#80

The young and evil

5.0 (1)
1

A stunning work, first published in 1933 by Obelisk Press (Jack Kahane's legacy), The Young and the Evil is a non-judgmental depiction of gay life and men who earn their living there, told through characters like Julian (modeled on Ford) and Karel (based on Tyler). With the added interracial connotations (book was set in Harlem and Greenwich), err, anyone surprised that this title didn't clear customs across the Channel or the Pond? Girodias later republished this work as part of the Traveller's Companion series. Authors such as Djuna Barnes and Gertrude Stein praised it unflinchingly.

#88

The Soft Machine

3.5 (4)
0

In Naked Lunch, William S. Burroughs revealed his genius. In The Soft Machine he begins an adventure that will take us even further into the dark recesses of his imagination, a region where nothing is sacred, nothing taboo. Continuing his ferocious verbal assault on hatred, hype, poverty, war, bureaucracy, and addiction in all its forms, Burroughs gives us a surreal space odyssey through the wounded galaxies in a book only he could create.

Memoirs of a Beatnik

3.7 (12)
2

Long regarded as an underground classic for its gritty and unabashedly erotic portrayal of the Beat years, Memoirs of a Beatnik is a moving account of a powerful woman artist coming of age sensually and intellectually in a movement dominated by a small confederacy of men, many of whom she lived with and loved. Filled with anecdotes about her adventures in New York City, Diane di Prima's memoir shows her learning to "raise her rebellion into art," and making her way toward literary success. Memoirs of a Beatnik offers a fascinating narrative about the courage and triumphs of the imagination.

Vienna

0.0 (0)
0

"From the very beginning - the birth of the narrator's father in the middle of a bridge party - the reader is plunged headlong into the world of Vienna, a novel crowded with voices, characters, tragedy and joy." "The disintegration of history and identity in the twentieth century is seen through the adventures of one family - half-Jewish Viennese, split apart by the Nazi invasion and sent out into the world. Dispensing with linear narrative, the story loops forwards and back to follow each member on their winding course. Their experiences encompass fraudsters, footballers, fools and fur coats as the narrative moves from Austria to London, from Canada to the battlefields of Burma." "This is a landmark European novel of impressive reach and power whose readership will spread as widely as the family whose story it tells. It introduces in Eva Menasse an intimate chronicler of human experience and an unashamedly gleeful storyteller. Her cast of characters and unexpected events shows us imperceptibly the formation and disintegration of family history and identity."--BOOK JACKET.

The gutter in the sky

3.4 (8)
3

Our Lady of the Flowers (Notre-Dame-des-Fleurs) is the debut novel of French writer Jean Genet, first published in 1943. The free-flowing, poetic novel is a largely autobiographical account of a man's journey through the Parisian underworld. The characters are drawn after their real-life counterparts, who are mostly homosexuals living on the fringes of society. The novel tells the story of Divine, a drag queen who, when the novel opens, has died of tuberculosis and been canonised as a result. The narrator tells us that the stories he is telling are mainly to amuse himself whilst he passes his sentence in prison – and the highly erotic, often explicitly sexual, stories are spun to assist his masturbation. Jean-Paul Sartre called it "the epic of masturbation". Divine lives in an attic room overlooking Montmartre cemetery, which she shares with various lovers, the most important of whom is a pimp called Darling Daintyfoot. One day Darling brings home a young hoodlum and murderer, dubbed Our Lady of the Flowers. Our Lady is eventually arrested and tried, and executed. Death and ecstasy accompany the acts of every character, as Genet performs a transvaluation of all values, making betrayal the highest moral value, murder an act of virtue and sexual appeal.