Northwest reprints

Story of a shy boy of the Canadian Northwest.

Stewart Holbrook - high-school dropout, logger, journalist, storyteller, and historian - was one of the best-loved figures in the Pacific Northwest during the two decades preceding his death in 1964. This anthology collects two dozen of his best pieces about his adopted home, the Pacific Northwest. Holbrook believed in "lowbrow or non-stuffed shirt history." Holbrook's lowbrow Northwest ranges from British Columbia logging camps to Oregon ranches, and is peopled with fascinating characters like Liverpool Liz of the old Portland waterfront, the over-sexed prophet Joshua II of the Church of the Brides of Christ in Corvallis, and Arthur Boose, the last Wobbly paper boy. Here are stories of forgotten scandals and crimes, forest fires, floods, and other catastrophes, stories of workers, underdogs, scoundrels, dreamers, and fanatics, stories that bring the past to life.

Happy Valley is set in a small country town in the Snowy Mountains. Based on Patrick White's own experiences in the early 1930s as a jackaroo at Bolaro, near Adaminaby in south-eastern New South Wales, Happy Valley paints a portrait of a community in a desolate landscape. It is a jagged and restless study of small-town and country life. White was twenty-seven when Happy Valley was published by George C. Harrop in London. This mesmerising first novel gives us a prolonged glimpse of literary genius in the making. It won the Australian Literature Society Gold Medal in 1941, but White did not allow the novel to be republished in English in his lifetime. Happy Valley is the missing piece in the extraordinary jigsaw of White's work.

From 1942 to 1945, William Stafford was interned in camps for conscientious objectors in Arkansas and California for his refusal to be inducted into the U.S. Army. Down in My Heart is an account of the relationships among the men in the camps and their day-to-day activities - fighting forest fires, building trails and roads, restoring eroded lands - and their earnest pursuit of a social morality rooted in religious and secular pacifist ideals. In his new introduction to the book, Kim Stafford calls them a "generation of seekers" working full time "to envision a way to avoid the next war.". First published in 1947, this "peace relic," as William Stafford later called his first book, offers a rich glimpse into a little-known aspect of the war and a fascinating look at the formative years of a major American poet.