MYTHS
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Books in this Series
Dream Angus
If he's in the right mood, divine Angus might grant you sight of your true love in a dream; you might even fall in love with him, but he'll never love you back. He's too busy making mischief, stealing the palace of the gods from his father, turning his enemies into pigs etc ; until he is trapped by his own romantic games and falls for an unattainable woman, doomed to seek her forever. In twentieth-century Scotland, Angus's troubled alter ego searches for his true family and identity; a psychotherapist who helps people understand their dreams, his life seems to parallel that of his mythic namesake, until we ask, could they be one and the same? Mesmerically weaving together the tales of the Celtic god and the Scottish scientist, Alexander McCall Smith unites dream and reality, leaving us to wonder: what is life, but the pursuit of our dreams?
The goddess chronicle
In a place like no other, on an island in the shape of a tear drop, two sisters are born into a family of the oracle. Kamikuu, with creamy skin and almond eyes, is admired far and wide; Namima, small but headstrong, learns to live in her sister's shadow.
Girl meets boy
Girl meets boy. It's a story as old as time. But what happens when an old story meets a brand new set of circumstances? Ali Smith's re-mix of Ovid's most joyful metamorphosis is a story about the kind of fluidity that can't be bottled and sold. It is about girls and boys, girls and girls, love and transformation, a story of puns and doubles, reversals and revelations. Funny and fresh, poetic and political, Girl meets boy is a myth of metamorphosis for the modern world.
The Helmet of Horror
They have never met, they have been assigned strange pseudonyms, they inhabit identical rooms which open out onto very different landscapes, and they have entered a dialogue which they cannot escape - a discourse defined and destroyed by the Helmet of Horror. Its wearer is the dominant force they call Asterisk, a force for good and ill in which the Minotaur is forever present and Theseus is the great unknown. Victor Pelevin has created a mesmerising world where the surreal and the hyperreal collide. "The Helmet of Horror" is structured according to the internet exchanges of the twenty first century, radically reinventing the myth of Theseus and the Minotaur for an age where information is abundant but knowledge ultimately unattainable.
The Penelopiad
Homer's Odyssey is not the only version of the story. Mythic material was originally oral, and also local -- a myth would be told one way in one place and quite differently in another. I have drawn on material other than the Odyssey, especially for the details of Penelope's parentage, her early life and marriage, and the scandalous rumors circulating about her. I've chosen to give the telling of the story to Penelope and to the twelve hanged maids. The maids form a chanting and singing Chorus, which focuses on two questions that must pose themselves after any close reading of the Odyssey: What led to the hanging of the maids, and what was Penelope really up to? The story as told in the Odyssey doesn't hold water: there are too many inconsistencies. I've always been haunted by the hanged maids and, in The Penelopiad, so is Penelope herself. The author of The Handmaid's Tale and The Blind Assassin presents a cycle of stories about Penelope, wife of Odysseus, through the eyes of the twelve maids hanged for disloyalty to Odysseus in his absence.