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MYTHS

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3.4 (20)
5 books
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About Author

Alexander McCall Smith

Alexander McCall Smith, often referred to as ‘Sandy’, is one of the world’s most prolific and best-loved authors. For many years he was a professor of Medical Law and worked in universities in the UK and abroad before turning his hand to writing fiction. He has written and contributed to more than 100 books including specialist academic titles, short story collections, and a number of immensely popular children’s books. His first book, The White Hippo—a children’s book, was published by Hamish Hamilton in 1980. But it wasn’t until the publication of the highly successful The No. 1 Ladies’ Detective Agency series that Alexander became a household name. The series has now sold over twenty million copies in the English language alone, and since the books took off, he has devoted his time to writing. His various series of books have been translated into forty-six languages and become bestsellers throughout the world. These include the popular 44 Scotland Street novels, first published as a serial novel in the Scotsman newspaper and now the longest-running serial novel in the world; the Isabel Dalhousie novels, and the von Igelfeld series. He is also the author of the Corduroy Mansions series, which started life as an engaging cross-media serial written for the Telegraph online. In addition to these series, Alexander has written a number of stand-alone novels, including The Forever Girl, Fatty O’Leary’s Dinner Party, My Italian Bulldozer, The Second Worst Restaurant in France, Chance Developments and Pianos and Flowers. Earlier stand alone books include Trains and Lovers: A Heart’s Journey; La’s Orchestra Saves the World; and Emma—a reworking of the classic Jane Austen novel. He has also authored many non-fiction titles, the latest of which are A Work of Beauty: Alexander McCall Smith’s Edinburgh and What W.H. Auden Can Do For You. Recently Alexander has written a new children’s series—The School Ship Tobermory—and we now have four books in the series. This increases the number of children’s books he has written to more than thirty. Alexander has received numerous awards for his writing and holds twelve honorary doctorates from universities in Europe and North America. In 2007 he received a CBE for services to literature and in 2011 was honoured by the President of Botswana for services through literature to the country. In 2015 he received the Bollinger Everyman Wodehouse Prize for Comic Fiction and in 2017 The National Arts Club of America—Medal of Honor for Achievement in Literature.

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Books in this Series

Dream Angus

4.0 (1)
10

If he's in the right mood, divine Angus might grant you sight of your true love in a dream; you might even fall in love with him, but he'll never love you back. He's too busy making mischief, stealing the palace of the gods from his father, turning his enemies into pigs etc ; until he is trapped by his own romantic games and falls for an unattainable woman, doomed to seek her forever. In twentieth-century Scotland, Angus's troubled alter ego searches for his true family and identity; a psychotherapist who helps people understand their dreams, his life seems to parallel that of his mythic namesake, until we ask, could they be one and the same? Mesmerically weaving together the tales of the Celtic god and the Scottish scientist, Alexander McCall Smith unites dream and reality, leaving us to wonder: what is life, but the pursuit of our dreams?

The goddess chronicle

3.5 (2)
13

In a place like no other, on an island in the shape of a tear drop, two sisters are born into a family of the oracle. Kamikuu, with creamy skin and almond eyes, is admired far and wide; Namima, small but headstrong, learns to live in her sister's shadow.

Girl meets boy

5.0 (1)
30

Girl meets boy. It's a story as old as time. But what happens when an old story meets a brand new set of circumstances? Ali Smith's re-mix of Ovid's most joyful metamorphosis is a story about the kind of fluidity that can't be bottled and sold. It is about girls and boys, girls and girls, love and transformation, a story of puns and doubles, reversals and revelations. Funny and fresh, poetic and political, Girl meets boy is a myth of metamorphosis for the modern world.

The Helmet of Horror

3.0 (1)
4

They have never met, they have been assigned strange pseudonyms, they inhabit identical rooms which open out onto very different landscapes, and they have entered a dialogue which they cannot escape - a discourse defined and destroyed by the Helmet of Horror. Its wearer is the dominant force they call Asterisk, a force for good and ill in which the Minotaur is forever present and Theseus is the great unknown. Victor Pelevin has created a mesmerising world where the surreal and the hyperreal collide. "The Helmet of Horror" is structured according to the internet exchanges of the twenty first century, radically reinventing the myth of Theseus and the Minotaur for an age where information is abundant but knowledge ultimately unattainable.

The Penelopiad

3.3 (15)
172

Homer's Odyssey is not the only version of the story. Mythic material was originally oral, and also local -- a myth would be told one way in one place and quite differently in another. I have drawn on material other than the Odyssey, especially for the details of Penelope's parentage, her early life and marriage, and the scandalous rumors circulating about her. I've chosen to give the telling of the story to Penelope and to the twelve hanged maids. The maids form a chanting and singing Chorus, which focuses on two questions that must pose themselves after any close reading of the Odyssey: What led to the hanging of the maids, and what was Penelope really up to? The story as told in the Odyssey doesn't hold water: there are too many inconsistencies. I've always been haunted by the hanged maids and, in The Penelopiad, so is Penelope herself. The author of The Handmaid's Tale and The Blind Assassin presents a cycle of stories about Penelope, wife of Odysseus, through the eyes of the twelve maids hanged for disloyalty to Odysseus in his absence.