MASTER MUSICIANS SERIES
Description
Deep in the jungle where all the pythons are green, Verdi is born a little bit different. This gorgeously illustrated picture book from the creator of Stellaluna sends a timely message to young readers about the importance of loving the skin you're in. Young Verdi doesn’t want to grow up big and green. He likes his bright yellow skin and sporty stripes. Besides, all the green snakes he meets are lazy, boring, and rude. When Verdi finds a pale green stripe stretching along his whole body, he tries every trick he can think of to get rid of it—and ends up in a heap of trouble. Despite his efforts, Verdi turns green, but to his delight, he discovers that being green doesn’t mean he has to stop being himself.
How the series evolves
Books in this Series
Verdi
Deep in the jungle where all the pythons are green, Verdi is born a little bit different. This gorgeously illustrated picture book from the creator of Stellaluna sends a timely message to young readers about the importance of loving the skin you're in. Young Verdi doesn’t want to grow up big and green. He likes his bright yellow skin and sporty stripes. Besides, all the green snakes he meets are lazy, boring, and rude. When Verdi finds a pale green stripe stretching along his whole body, he tries every trick he can think of to get rid of it—and ends up in a heap of trouble. Despite his efforts, Verdi turns green, but to his delight, he discovers that being green doesn’t mean he has to stop being himself.
Musorgsky
"David Brown gives us the first life-and-works study of Modest Musorgsky to appear in English for over a half century. Indeed, this is the largest such study of Musorgsky to have appeared outside Russia.". "Brown shows how Musorgsky, though essentially an amateur with no systematic training in composition, emerged in his first opera, Boris Godunov, as a supreme musical dramatist. Indeed, in this opera, and in certain of his piano pieces in Pictures at an Exhibition, Musorgsky produced some of the most startlingly novel music of the whole nineteenth century. He was also one of the most original of all song composers, with a prodigious gift for uncovering the emotional content of a text. As Brown illuminates Musorgsky's work, he also paints a detailed portrait of the composer's life. He describes how, unlike the systematic and disciplined Tchaikovsky, Musorgsky was a fitful composer. When the inspiration was upon him, he could apply himself with superhuman intensity, as he did when composing the initial version of Boris Godunov. Sadly, Musorgsky deteriorated in his final years, suffering periods of inner turmoil, when his alcoholism would be out of control. Finally, unemployed and all but destitute, he died at age forty-two. His failure to complete his two remaining operas, Khovanshchina and Sorochintsy Fair, Brown concludes, is one of music's greatest tragedies."--BOOK JACKET.