Homosexuality

Possibly Jane Rule's best known novel, The Desert of the Heart is the story of a free spirited woman falling for a repressed older woman. Evelyn Hall is taking respite at a ranch for women as she seeks a divorce after years of marriage. Written in 1964, it serves as a fascinating snapshot into the lives and regulations of women seeking their freedom. Dr. Hall stays at a Nevada ranch where she meets, and falls for, Ann Child ("Evelyn looked at Ann, the child she had always wanted, the friend she once had, the lover she never considered..."). Evelyn Hall has a hard time fitting in, and Jane Rule cleverly captures the feeling of a fish out of water time after time. "Whenever there were generalizations about women, Evelyn weighed herself against them and found herself insubstantial," writes Rule, capturing the alienation Evelyn has even from her own gender. Rule walk many thin lines in the book, whether it's about ownership, freedom, convention or eroticism. "Ann turned, the longing of her body straining against the last reluctance of her mind, and she felt Evelyn's tentative, almost causal beginning gradually give way to an authority of love." Remember that this was written in 1964. Desert of the Heart stands as a tour de force in lesbian culture, still as warm and richly engaging today as it was when it was first written.

In June 1972, Jonathan Ned Katz's documentary play, Coming Out!, about gay and lesbian life and liberation, directed by David Roggensack, was produced by the New York Gay Activists Alliance, at its firehouse headquarters, in Soho. "In 2009," says Katz, "looking over these reviews for the first time in more than thirty years, I'm struck by the strong emotional responses reported, positive and negative. Even the worst review (see below, Marilyn Stasio, in Cue magazine, August 27-September 2, 1973) says that the play 'packs a wallop' and the material 'is dynamite stuff,' though the play is 'deadly as theatre.' I'm fascinated by the contradictory character of many of the reviews."

Collection of primary source documents.

Intermediate Types among Primitive Folk expands on Carpenter’s idea of the Intermediate type; a person of mixed sexes such as a feminine body with a masculine mind or vice versa. Originally published in 1914, this text explores the role that intermediate types played amongst early civilisations as well as in religion and military situations. Whilst later civilisations tended to look down on those who did not fit into traditional gender roles, some early peoples saw intermediate types as important figures in their social organisation. This title will be of interest to students of sociology, gender studies and anthropology.

In July 1914 a family gathers at a holiday hotel in Devon. There is a dominant father and a socially ambitious mother who adores her son Dennis. When he arrives it is at once clear to the reader why he does not fit in with his smugly conventional family. Then, with the outbreak of war, the tone of the book changes: it focuses on Dennis’s refusal to fight, indeed on his abhorrence of violence; his falling in love with Alan; and his close friendship with Antoinette, who has not realised she is lesbian but is unabashed when she does. Dennis, however, is in agony about being ‘a musical man’ (slang for being gay): ‘Abnormal – perverted – against nature – he could hear the epithets that would be hurled against him. But what had nature been about, in giving him the soul of a woman in the body of a man?’ Running through all this is the background of the war. At first everyone thought it would be over by Christmas. Then there were the horrors of 1915. And then conscription started. Month by month one sees what happens to Dennis and the other COs (conscientious objectors) he knows. The book was published by C.W. Daniel, a pacifist publisher, in May 1918. In September the book was banned for being ‘likely to prejudice the recruiting, training, and discipline of persons in his Majesty’s forces.’ Unsold copies were seized and the publisher was fined.

She looked around the Cellar with Laura following her gaze. "I know most of the girls in here ... I've probably slept with half of them. I've lived with half of the half I've slept with. I've loved half of of the half I've lived with." "L for Love," Beebo said, looking into space. "L for Laura." She turned and smiled at her, "L for Lust and L for the L of it. L for Lesbian, L for Let's--let's," she said, and blew smoke softly into Laura's ear.