Barbara Frum lectureship

America's foremost authority on Russian communism--the author of the definitive studies The Russian Revolution and Russia Under the Bolshevik Regime--now addresses the enigmas of that country's 70-year enthrallment with communism. Succinct, lucidly argued, and lively in its detail, this book offers a brilliant summation of the life's work of a master historian.

"Davis tackles the large issue of how the moving picture industry has portrayed slaves in five major motion pictures spanning four generations. The potential of film to narrate the historical past in an effective and meaningful way, with insistence on loyalty to the evidence, is assessed in five films: Spartacus (1960), Burn! (1969), The Last Supper (1976), Amistad (1997), and Beloved (1998).". "Slaves on Screen is based in part on interviews with the Nobel prize-winning author of Beloved, Toni Morrison, and with Manuel Moreno Fraginals, the historical consultant for The Last Supper."--BOOK JACKET.

With the same erudition, discernment, and crisp prose that made his A history of warfare an international bestseller, Keegan surveys the literature of World War II, identifying the works he finds most important and illuminating while examining the sometimes savage controversies raised by two generations of the war's historians.

Ron Chernow examines the forces that made dynasties like the Morgans, the Warburgs, and the Rothschilds the financial arbiters of the early twentieth century and then rendered them virtually obsolete by the century's end. As he traces the shifting balance of power among investors, borrowers, and bankers, Chernow evokes both the grand theater of capital and the personal dramas of its most fascinating protagonists. Here is Siegmund Warburg, who dropped a client in the heat of a takeover deal because the man wore monogrammed shirt cuffs, as well as the imperious J. P. Morgan, who, when faced with a federal antitrust suit, admonished Theodore Roosevelt to "send your man to my man and they can fix it up." And here are the men who usurped their power, from the go-getters of the 1920s to the masters of the universe of the 1980s. Glittering with perception and anecdote, The Death of the Banker is at once a panorama of twentieth-century finance and a guide to the new era of giant mutual funds on Wall Street.