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384
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~6h 24min
READING TIME
English
LANGUAGE
Published 1972 Trafalgar Square Publishing 15 views
ISBN
0575047887, 0575602368, 9780575602366, 0517063158, 9780517063156, 0525246703, 0575045299
Editions
Paperback
Hardcover
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About Author

Stephen Schwartz

Lulu Schwartz (born Stephen A. Schwartz, September 9, 1948, and also known previously as Stephen Suleyman Schwartz) is a writer. She has been published in a variety of media, including The Wall Street Journal. Schwartz worked as a senior policy consultant and held the role of director of the "Islam and Democracy Project" at the Foundation for Defense of Democracies (FDD), a neoconservative think-tank based in Washington, D.C. Schwartz is also the founder and executive director of the Washington, D.C.-based Center for Islamic Pluralism and served as a member of Folks Magazine's editorial board from 2011 to 2012. A student of Sufism since the 1960s, Schwartz has been an adherent of the Hanafi school of Sunni Islam since 1997. Schwartz was a key figure in the neoconservative movement that held considerable influence in the administration of George W. Bush.

First sentence

I Hear_ A - mer - i - ca Sing - ing!...

Description

Two-time Pulitzer Prize winner Robert Caro gives us a glimpse into his own life and work. He describes what it was like to interview the mighty Robert Moses; what it felt like to begin discovering the extent of the political power Moses wielded; the combination of discouragement and exhilaration he felt confronting the vast holdings of the Lyndon B. Johnson Library in Austin, Texas; his encounters with witnesses, including longtime residents wrenchingly displaced by the construction of Moses' Cross-Bronx Expressway and Lady Bird Johnson acknowledging the beauty and influence of one of LBJ's mistresses. He gratefully remembers how, after years of working in solitude, he found a writers' community at the New York Public Library, and details the ways he goes about planning and composing his books. Caro recalls the moments at which he came to understand that he wanted to write not just about the men who wielded power but about the people and the politics that were shaped by that power. And he talks about the importance to him of the writing itself, of how he tries to infuse it with a sense of place and mood to bring characters and situations to life on the page.

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