Three Filipino women

These novellas by the foremost writer of the Philippines are portraits of three women who, somewhat like the archipelago itself, are troubled, victimized, and beautiful. Here is the swirling cultural life and physical world of the twentieth-century Philippines, with its gulf between immense wealth and crushing poverty, humane social concerns and self-interest, political radicalism and police-state repression. Here, too, is the fiery sexuality that comes with love and the. Excitement of throwing off the bonds of the past. Narita, of "Cadena de Amor," a story cast as a documentary study of a Filipina politician, is driven by calculated opportunism to escape her poverty-stricken past and study and sleep her way to the country's senate. Ermita, of "Obsession," is elegant and lovely, but never able to escape her career as a highly selective and, in some ways, very private prostitute. Malu, of "Platinum," is a political idealist and activist. Under Marcos-imposed martial law. Her unwillingness to forgo her clandestine and mysterious activities on her regular days "off" from her marriage promises tragedy. Each woman captures a man who adores her as if possessed. Their stories, at once richly passionate and tragic, suggest both the varieties and similarities of women's experience in a country that has produced such strikingly different figures as Imelda Marcos and Corazon Aquino.