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The Virago book of ghost stories

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English
LANGUAGE
Mcgraw-Hill 4 views
ISBN
0070151326, 9780070151321
Editions
Hardcover
Paperback
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About Author

Daphne du Maurier

Daphne du Maurier was born on 13 May 1907 in London, England, United Kingdom, the second of three daughters of Muriel Beaumont, an actress and maternal niece of William Comyns Beaumont, and Sir Gerald du Maurier, the prominent actor-manager, son of the author and Punch cartoonist George du Maurier, who created the character of Svengali in the novel Trilby. She was also the cousin of the Llewelyn Davies boys, who served as J.M. Barrie's inspiration for the characters in the play Peter Pan, or The Boy Who Wouldn't Grow Up. As a young child, she met many of the brightest stars of the theatre, thanks to the celebrity of her father. These connections helped her in establishing her literary career, and she published some of her early stories in Beaumont's Bystander magazine. Her first novel, The Loving Spirit, was published in 1931, and she continued writing successfull gothic novels in addition to biographies and other non-fiction books. Alfred Hitchcock was a fan of her novels and short stories, and adapted some of these to films: Jamaica Inn (1939), Rebecca (1940), and The Birds (1963). Other of her works adapted were Frenchman's Creek (1942), Hungry Hill (1943), My Cousin Rachel (1951), and "Don't Look Now" (1973). She was named a Dame of the British Empire. In 1932, she married Frederick "Boy" Browning, with whom she had three children, Tessa, Flavia and Christian. Her husband died in 1965, and she passed away on 19 April 1989 in Fowey, Cornwall. After her death, it was revealed that she was bisexual.

Description

For more than two hundred years the ghost story has held a particular fascination for women writers. From the Gothic novelists of the eighteenth century, through the stories of Mary Shelley and Mrs. Oliphant, to Elizabeth Bowen and Angela Carter, women have used the mystery of the supernatural to challenge myths and explore questions of sexuality, love, and identity in surprising and disquieting ways. This marvelously diverse collection of twentieth-century tales - many from the 1920s and 1930s, the heyday of the ghost story - is the first anthology of ghost stories written by women. It includes work by some thirty writers, among them specially commissioned stories by such modern masters as Angela Carter, Sara Maitland, and Lisa St. Aubin de Terán. It also comprises stories by Elizabeth Taylor, Edith Wharton, Elizabeth Jane Howard, Fay Weldon, Rose Macaulay, Norah Lofts, and many others.

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