Discover

The egoist

Minsik readers
0.0
0 ratings
Other platforms
0.0
0 ratings
523
PAGES
~8h 43min
READING TIME
English
LANGUAGE
1
READERS
A. Constable 9 views
ISBN
0192818171
Editions
Microform
E-book
Paperback
Hardcover
Library Binding
[electronic Resource] :
9 views
Minsik want to read: 0
Minsik reading: 0
Minsik read: 0
Open Library want to read: 1
Open Library reading: 0
Open Library read: 0

About Author

George Meredith

George Meredith (12 February 1828 – 18 May 1909) was an English novelist and poet of the Victorian era. At first, his focus was poetry, influenced by John Keats among others, but Meredith gradually established a reputation as a novelist. The Ordeal of Richard Feverel (1859) briefly scandalised Victorian literary circles. Of his later novels, the most enduring is The Egoist (1879), though in his lifetime his greatest success was Diana of the Crossways (1885). His novels were innovative in their attention to characters' psychology, and also portrayed social change.

First sentence

There was an ominously anxious watch of eyes visible and invisible over the infancy of Willoughby, fifth in descent from Simon Patterne, of Patterne Hall, premier of this family, a lawyer, a man of solid acquirements and stout ambition, who well understood the foundation-work of a House, and was endowed with the power of saying No to those first agents of destruction, besieging relatives...

Description

Virginia Woolf said of The Egoist: 'Meredith pays us a supreme compliment to which as novel-readers we are little accustomed ... He imagines us capable of disinterested curiosity in the behaviour of our kind.' In this, the most dazzlingly intellectual of all his novels, Meredith tries to illuminate the pretensions of the most powerful class within the very citadel of security which its members have built. He develops to their logical extremity his ideas on egoism, on sentimentality and on the power of comedy. Meredith saw egoism as the great enemy of truth, feeling and progress, and comedy as the great dissolver of artifice. The Egoist is the extreme expression of his recurrent theme: the defeat of egoism by the power of comedy.

Detailed Ratings

0.0Emotional Impact
No ratings yet
0.0Intellectual Depth
No ratings yet
0.0Writing Quality
No ratings yet
0.0Rereadability
No ratings yet
0.0Pacing
No ratings yet
0.0Readability
No ratings yet
0.0Plot Complexity
No ratings yet
0.0Humor
No ratings yet