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O solo homo

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176
PAGES
~2h 56min
READING TIME
English
LANGUAGE
Grove Press 8 views
ISBN
0802135706, 9780802135704
Editions
Paperback
8 views
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About Author

Holly Hughes

When was I NOT a writer? Those handwritten novels when I was growing up in Indianapolis, Indiana, don't count‚ I suppose. Or all the copy I wrote for yearbooks and newspapers at my various schools – Broad Ripple H.S.‚ Mount Holyoke College‚ Oxford University. The point is‚ nobody paid me to write until 1977. A brief year in the nonprofit realm in Washington D.C.‚ then I moved to New York City‚ where the beige steel cubicles of Scholastic Inc. beckoned. After several years of knocking around the magazine business – writing first for kids‚ then for adults‚ then for (shudder!) corporate execs –– I migrated to the book world‚ becoming executive editor of Fodor's Travel Guides. A corner office at last! Except . . . I wasn't writing anymore. So‚ in 1992‚ I went back to square one and started a freelance career. Travel books‚ culinary essays‚ movie reviews‚ mystery novels‚ study guides‚ rock criticism – I've given it all a whirl. I still live in New York with my husband and three children. Source: [Holly A. Hughes](

First sentence

Once upon a time, two days after I had a fire in my house, I was eating brunch and Karen Finely, performance artist, said: "Oh, Carmelita, I'm sorry about the fire, but I can't wait to see your next show."...

Description

O Solo Homo is a diverse, definitive, and hugely entertaining collection representing the cutting edge of queer solo performance. The pieces in O Solo Homo touch nerves that run deep — from sex, politics, community, and health to the struggles and joys of family, friends, and lovers. Peggy Shaw, of Split Britches, revisits how she learned to be butch. The late Ron Vawter, of the Wooster Group, juxtaposes the lives of two very different men who died of AIDS: diva filmmaker Jack Smith and Nixon crony Roy Cohn. Tim Miller, one of the NEA Four, surveys the landscape of gay desire before and after the advent of AIDS. And Carmelita Tropicana, the “National Songbird of Cuba,” makes an unforgettable, hilarious return to Havana.

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