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Moi, Tituba, Sorcière…Noire de Salem

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4.1
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248
PAGES
~4h 8min
READING TIME
Dutch
LANGUAGE
2
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Uitgeverij In de Knipscheer 1 views
ISBN
9062652980, 9789062652983
Editions
Paperback
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About Author

Maryse Condé

Maryse Condé was a Guadeloupean author of historical fiction, best known for her novels [Segu](/works/OL470774W) & [Moi, Tituba, Sorcière... Noire de Salem](/works/OL470774W). She was born in Pointe-à-Pitre, Guadeloupe, youngest of eight children. In 1953, her parents sent her to study at Lycée Fénelon and Sorbonne in Paris, where she majored in English. In 1959, she married Mamadou Condé, a Guinean actor. After graduating, she taught in Guinea, Ghana, and Senegal. In 1981, she divorced, but the following year married [Richard Philcox](authors/OL3065263A), English language translator of most of her novels. (Adapted & modified from [Wikipedia].)

Description

Offered here for the first time in English is I, Tituba Black Witch of Salem, by Guadeloupean writer Maryse Conde. This wild and entertaining novel, winner of the 1986 Grand Prix Litteraire de la Femme, expands on the true story of the West Indian slave Tituba, who was accused of witchcraft in Salem, Massachusetts, arrested in 1692, and forgotten in jail until the general amnesty for witches two years later. Maryse Conde brings Tituba out of historical silence and. Creates for her a fictional childhood, adolescence, and old age. She turns her into what she calls "a sort of female hero, an epic heroine, like the legendary 'Nanny of the maroons, "' who, schooled in the sorcery and magical ritual of obeah, is arrested for healing members of the family that owns her. Rich with postmodern irony, the novel even includes an encounter with Hester Prawn of Hawthorne's Scarlet Letter. Conde breaks new ground in both style and content. Transcending cultural and epochal boundaries, not only exposing the hypocrisy of Puritan New England but challenging us to look at racism and religious bigotry in contemporary America. This highly readable and ultimately joyful novel celebrates Tituba's unique voice, exploring issues of identity and the implications of Otherness in Western literary tradition. Its multiple layers will delight a wide variety of readers.

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