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Modigliani

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272
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~4h 32min
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English
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Duckworth 8 views
ISBN
0715635840, 071563657X, 9780715635841, 9780715636572, 9780544391215, 9781322045818, 0151011788, 9780151011780
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Paperback
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About Author

Maurice Berger

Maurice Berger (May 22, 1956 – March 22, 2020) was an American cultural historian, curator, and art critic, who served as a Research Professor and Chief Curator at the Center for Art, Design and Visual Culture, University of Maryland, Baltimore County. Berger was recognized for his interdisciplinary scholarship on race and visual culture in the United States. He curated a number of important exhibitions examining the relationship between race and American art, including the critically acclaimed For All The World To See: Visual Culture and the Struggle for Civil Rights co-organized in 2011 by the National Museum of African American History and Culture of the Smithsonian Institution and the Center for Art, Design & Visual Culture at the University of Maryland, Baltimore County, which focused on the role visual imagery played in shaping, influencing, and transforming the modern struggle for racial equality and justice in the United States. On March 22, 2020, he fell ill and died in Copake, New York, from heart failure, exacerbated by untested complications of COVID-19. He was 63 years old.

Description

"Amedeo Modigliani (1884-1920) is one of the best known - and most misunderstood - artists of the twentieth century. His incisive portraits, erotically charged nudes, elegant drawings of caryatids, and primitivistic sculpture have been admired for decades. Modigliani's work, however, has typically been examined in the limited context of his so-called bohemian, anti-intellectual lifestyle. This book revises this approach toward Modigliani's art, presenting a revisionist examination of the unique historical, social, religious, and cultural significance of his oeuvre." "Modigliani: Beyond the Myth looks at the artist and his art from a variety of important perspectives: his proud heritage as a Sephardic Jew, whose spirituality embraced non-Western, classical, and Christian iconography while retaining its own ethnic identity; his critical engagement and melding of tribal and ethnographic art with Judaism in his portraiture; the representation of the female nude in his works from a feminist cultural perspective; the remarkable reception of his work in Italy after his death, and the failure of traditional art history to account for or analyze these important aspects of his life and work."--BOOK JACKET.

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