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Matilda

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4.3
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240
PAGES
~4h
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English
LANGUAGE
1
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ISBN
0060536179, 9780060536176
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[braille] /
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About Author

Paul Gallico

Paul William Gallico was born in New York City, the son of an Italian father and an Austria mother who had emigrated to New York in 1895. He graduated from Columbia University in 1919 and became a a sportswriter, sports columnist, and sports editor of the New York Daily News in the 1920s. He became a national celebrity and one of the highest-paid sportswriters in America. In the late 1930s he abandoned sports writing for fiction and found success writing short stories for magazines such as the The Saturday Evening Post. Many of his novels, including The Snow Goose (which won the O. Henry prize for short stories in 1941), are expanded versions of his magazine stories. Over the course of his career, he wrote 41 books and numerous short stories, twenty theatrical movies, twelve TV movies, and had a TV series based on his Hiram Holliday short stories.

First sentence

It's a funny thing about mothers and fathers...

Description

But my father, my beloved and most wretched father ... would he never overcome the fierce passion that now held pitiless dominion over him? With its shocking themes of father-daughter incest, Mary Shelley's publisher--her father, known for his own subversive books--not only refused to publish Mathilda, he refused to return her only copy of the manuscript, and the work was never published in her lifetime. His suppression of this passionate novella is perhaps understandable--unlike her first book, Frankenstein, written a year earlier, Mathilda uses fantasy to study a far more personal reality. It tells the story of a young woman whose mother died in her childbirth--just as Shelly's own mother died after hers--and whose relationship with her bereaved father becomes sexually charged as he conflates her with his lost wife, while she becomes involved with a handsome poet. Yet despite characters clearly based on herself, her father, and her husband, the narrator's emotional and relentlessly self-examining voice lifts the story beyond autobiographical resonance into something more transcendent: a driven tale of a brave woman's search for love, atonement, and redemption.

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