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Le Ton beau de Marot

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First Sentence
"Precisely one-half a millenium ago - and I mean what I say when I say it's precise - on the twenty-third day of the next-to-last month of the year fourteen hundred fourscore-and-sixteen (a tip of my hat to the Gauls' counting scheme), in the humble French town of Cahors en Quercy, some sixty-odd miles to the north of Toulouse, was born a bright boy christened Clement Marot, the son of an auto-taught poet named Jean and a lady whose life's but a question mark: our focus thus shifts from his folks to their lad."
632 pages
~10h 32min to read
Penguin Books (NZ) Ltd 1 views
ISBN
0465086438
Editions
Unknown Binding
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Description

Not Merely a set of translations of one poem, Le Ton beau de Marot is an autobiographical essay, a love letter to the French language, a series of musings on life, loss, and death, a sweet bouquet of stirring poetry - but most of all, it celebrates the limitless creativity fired by a passion for the music of words. Dozens of literary themes and creations are woven into the picture, including Pushkin's Eugene Onegin, Dante's Inferno, Salinger's Catcher in the Rye, Villon's ballades, Nabokov's essays, Georges Perec's La disparition, Vikram Seth's Golden Gate. Horace's odes, and more. Rife with stunning form-content interplay, crammed with creative linguistic experiments yet always crystal-clear, this book is meant not only for lovers of literature, but also for people who wish to be brought into contact with current ideas about how creativity works, and who wish to see how today's computational models of language and thought stack up next to the human mind.

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