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Eva Hesse

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253
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~4h 13min
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English
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Yale University Art Gallery 10 views
ISBN
089467059X, 9780894670596
Editions
Paperback
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About Author

Maurice Berger

Maurice Berger (May 22, 1956 – March 22, 2020) was an American cultural historian, curator, and art critic, who served as a Research Professor and Chief Curator at the Center for Art, Design and Visual Culture, University of Maryland, Baltimore County. Berger was recognized for his interdisciplinary scholarship on race and visual culture in the United States. He curated a number of important exhibitions examining the relationship between race and American art, including the critically acclaimed For All The World To See: Visual Culture and the Struggle for Civil Rights co-organized in 2011 by the National Museum of African American History and Culture of the Smithsonian Institution and the Center for Art, Design & Visual Culture at the University of Maryland, Baltimore County, which focused on the role visual imagery played in shaping, influencing, and transforming the modern struggle for racial equality and justice in the United States. On March 22, 2020, he fell ill and died in Copake, New York, from heart failure, exacerbated by untested complications of COVID-19. He was 63 years old.

First sentence

Eva Hesse summed up her deepest wishes as an artist in these words, excerpted from a longer statement she made near the end of her life...

Description

"Throughout her career, Eva Hesse (1936-1970) produced a significant number of small, experimental works alongside her large-scale sculpture. These so-called "test-pieces" were made in a wide range of materials, including latex, wire-mesh, sculp-metal, wax, and cheesecloth. Rather than considering them simply technical explorations, the art historian Briony Fer renames these small objects studiowork and argues that they put in question conventional notions of what sculpture is." "The book contains a comprehensive catalogue of the studiowork, including many new works that have never before been seen in public. Although previously these small objects were considered peripheral to the major sculptures, this fascinating new study argues that they force us to ask fundamental questions, not just about what an artwork is, but about the work that art does in our culture."--Jacket.

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