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Alex Da Corte, As Long As the Sun Lasts

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64
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~1h 4min
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English
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Yale University Press 1 views
ISBN
9781588397294
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About Author

Jack Halberstam

Jack Halberstam, also known as Judith Halberstam, is Professor of American Studies and Ethnicity, Gender Studies, and Comparative Literature, as well as serving as the Director of The Center for Feminist Research at University of Southern California (USC). Halberstam was the Associate Professor in the Department of Literature at the University of California at San Diego before working at USC. He is a gender and queer theorist and author. Halberstam, who accepts masculine and feminine pronouns, as well as the name "Judith," with regard to his gender identity, focuses on the topic of tomboys and female masculinity for his writings. His 1998 Female Masculinity book discusses a common by-product of gender binarism, termed "the bathroom problem" with outlining the dangerous and awkward dilemma of a perceived gender deviant's justification of presence in a gender-policed zone, such as a public bathroom, and the identity implications of "passing" therein. Jack is a popular speaker and gives lectures in the United States and internationally on queer failure, sex and media, subcultures, visual culture, gender variance, popular film and animation. Halberstam is currently working on several projects including a book on fascism and (homo)sexuality

Description

"Alex Da Corte (American, born 1980) has been commissioned to create a site-specific installation for The Met's Iris and B. Gerald Cantor Roof Garden. The Roof Garden Commission: Alex Da Corte, As Long as the Sun Lasts will be on view from April 16 through October 31, 2021. It is the ninth in a series of site-specific commissions for the outdoor space. Alex Da Corte was born in Camden, New Jersey, and lives and works in Philadelphia. After training as an animator at the School of Visual Arts in New York City, he received a BFA in Printmaking/Fine Arts from the University of the Arts in Philadelphia and an MFA from Yale University. Working across a range of media including film, performance, painting, installation, and sculpture, Da Corte's practice is invested in deconstructing and reinventing those objects and cultural icons that are not only familiar and beloved, but also contested. His work was included in the 2019 Venice Biennale and the 2018 Carnegie International in Pittsburgh. Museums that have mounted solo exhibitions include the Prada Rong Zhai (2020), Kölnischer Kunstverein in Cologne (2018), Secession in Vienna (2017), MASS MoCA in North Adams, Massachusetts (2016), and the Museum Boijmans Van Beuningen in Rotterdam (2015). In March 2020, Da Corte reinvented Allan Kaprow's performance Chicken (1962) as part of Invisible City: Philadelphia and the Vernacular Avant-Garde.." -- Metropolitan Museum of Art website

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