Sir Arthur Sullivan

"This brand new 20th anniversary edition includes Thespis, Gilbert and Sullivan's first collaboration which is now being increasingly performed, despite the loss of the vocal and orchestral scores. It also features a completely new introduction, reflecting on the state of Gilbert and Sullivan nearly 150 years after the pair began their legendary collaboration, and new annotations addressing recent performance history, newly discovered 'lost' songs and dialogue, and, for the first time, Gilbert and Sullivan references in contemporary popular culture." -- Amazon.com.

Book digitized by Google and uploaded to the Internet Archive by user tpb.

Printed libretto, 40 p.

The complete and authentic librettos, all by W.S. Gilbert, of all fourteen operas by the great British partners.

The Complete Annotated Gilbert & Sullivan provides the complete text of all the Gilbert & Sullivan operas which are still performed today, together with extensive annotations covering 'lost' songs, alterations and additions, obscure allusions, production points, and comments of interest. Each opera has an introduction which places it in its context and provides a potted history of performances. No other book provides such extensive commentary on the texts of the Savoy Operas nor provides such a source of innocent merriment to fans of the incomparable Victorian duo. The complete text of each opera, including stage directions, is given on the right-hand page, and on the left (keyed in by line numbers) are notes. These give such information as the identity of a real-life person appearing or mentioned as a character, wordings that were different in the original edition (the one sent to the Lord Chamberlain for licensing), changes made for the first American performance, glosses on technical terms (e.g. legal terms), literary references, cross-references to similar items in other Savoy operas, comments from first-night critics, and more. Previously published by Penguin in two paperback volumes, this new edition contains two new libretti (The Grand Duke and Utopia Limited), a new Introduction including Notes for Further Reading, new introductions to each opera, as well as numerous corrections to the original edition.

"Brian Loar (1939-2014) was an eminent and highly respected philosopher of mind and language. He was at the forefront of several different field-defining debates between the 1970s and the 2000s-from his earliest work on reducing semantics to psychology, through debates about reference, functionalism, externalism, and the nature of intentionality, to his most enduringly influential work on the explanatory gap between consciousness and neurons. Loar is widely credited with having developed the most comprehensive functionalist account of certain aspects of the mind, and his 'phenomenal content strategy' is arguably one of the most significant developments on the ancient mind/body problem. This volume of essays honours the entirety of Loar's wide-ranging philosophical career. It features sixteen original essays from influential figures in the fields of philosophy of language and philosophy of mind, including those who worked with and were taught by Loar. The essays are divided into three thematic sections covering Loar's work in philosophy of language, especially the relations between semantics and psychology (1970s-80s), on content in the philosophy of mind (1980s-90s), and on the metaphysics of intentionality and consciousness (1990s and beyond). Taken together, this book is a fitting tribute to one of the leading minds of the latter-20th century, and a timely reflection on Loar's enduring influence on the philosophy of mind and language"--

Popular from its first performance in 1878, this work contains some of Gilbert's most clever flashes of wit and a number of Sullivan's most charming melodies. Music scholars Carl Simpson and Ephraim Hammett Jones have drawn on original manuscripts and early sources to produce handsome, newly engraved plates closest to Gilbert and Sullivan's original intentions. This authoritative and inexpensive edition is sure to delight Gilbert and Sullivan fans, operetta lovers, musicians, and students. H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical theatre piece up to that time. H.M.S. Pinafore was Gilbert and Sullivan's fourth operatic collaboration and their first international sensation. The story takes place aboard the ship HMS Pinafore. The captain's daughter, Josephine, is in love with a lower-class sailor, Ralph Rackstraw, although her father intends her to marry Sir Joseph Porter, the First Lord of the Admiralty. She abides by her father's wishes at first, but Sir Joseph's advocacy of the equality of humankind encourages Ralph and Josephine to overturn conventional social order. They declare their love for each other and eventually plan to elope. The captain discovers this plan, but, as in many of the Gilbert and Sullivan operas, a surprise disclosure changes things dramatically near the end of the story. Drawing on several of his earlier "Bab Ballad" poems, Gilbert imbued this plot with mirth and silliness. The opera's humour focuses on love between members of different social classes and lampoons the British class system in general. Pinafore also pokes good-natured fun at patriotism, party politics, the Royal Navy, and the rise of unqualified people to positions of authority. The title of the piece comically applies the name of a garment for girls and women, a pinafore, to the fearsome symbol of a warship. Pinafore's extraordinary popularity in Britain, America and elsewhere was followed by the similar success of a series of Gilbert and Sullivan works, including The Pirates of Penzance and The Mikado. Their works, later known as the Savoy operas, dominated the musical stage on both sides of the Atlantic for more than a decade and continue to be performed today. The structure and style of these operas, particularly Pinafore, were much copied and contributed significantly to the development of modern musical theatre.

Lock up your daughters; the pirates are coming to town! Peppered with unforgettable melodies and tongue-twisting songs, The Pirates of Penzance is one of the most popular operettas ever written. Opera Australia's new production is an effervescent smash hit with a national tour and jubilant sellout seasons everywhere. In spite of being apprenticed to a Pirate King as a child, Frederic has led a very sheltered life. So when he arrives in Penzance with his boisterous shipmates, there are a few surprises in store for him! It all ends happily, but not before he's dodged the Old Bill, fallen in love and made some rather inconvenient discoveries. Director Stuart Maunder (who last directed this show for D'Oyly Carte Company at London's Savoy Theatre), designers Roger Kirk, Richard Roberts and Trudy Dalgleish, choreographer Elizabeth Hill and a stellar cast join forces once again to present a spirited new production of this Gilbert and Sullivan classic. This bright and breezy production is guaranteed to have you laughing in your seat. It's a big adventure where our swashbuckling Pirate King meets his match in the bumbling Major General. Starring: Anthony Warlow, David Hobson, John Bolton Wood, Taryn Fiebig and Suzanne Johnston as Ruth. - Container.

"In this book, Gilbert's libretti are collected in their most accurate and faithful form. There is a commentary on each work, telling the extraordinary stories behind the inspiration for the operas and their performance histories, and giving plot summaries and original cast lists. Also containing original illustrations from Gilbert's Bab Ballads, as well as extensive notes for every work, this ultimate Gilbert and Sullivan collection will delight all devotees of the incomparable duo."--Jacket.