Sarah Dunant

1570 en la ciudad italiana de Ferrara. El convento de Santa Caterina está lleno de mujeres nobles que deciden casarse con Cristo, ya que no han encontrado marido. Serafina, con tan sólo 16 años de edad, es obligada por sus padres a entrar en Santa Caterina para separarla de un amor ilícito. Llena de rabia, jura escapar. La boticaria del convento, Sor Zuana, entabla amistad con Serafina, reclutándola como ayudante en el dispensario y el jardín de hierbas. Pero a pesar de los intentos de Zuana para que la muchacha se adapte, sigue decidida a huir. Mientras las nuevas ideas de la contrarreforma fuerzan a la Iglesia hacia el cambio, el espíritu de Serafina amenaza con arrasar todo el convento.

In Fatlands, private investigator Hannah Wolfe, who’s independent though not invincible, idealistic but definitely not naive, has taken on one of the less glamorous jobs in the security world—chaperoning teenage rebel Mattie Shepherd around London. But Mattie’s father is paying Hannah lots of money—more than the job is worth, it seems. Or perhaps not. The girl’s father is on the Animal Liberation Front’s hit list. But why? When violence explodes, tearing the family apart, this is what Hannah must discover. Her obsession with the truth nearly kills her, wrecking her private life and dragging her into a vortex of lies and betrayal.

My lady, Fiammetta Bianchini, was plucking her eyebrows and biting color into her lips when the unthinkable happened and the Holy Roman Emperor's army blew a hole in the wall of God's eternal city, letting in a flood of half-starved, half-crazed troops bent on pillage and punishment.Thus begins In the Company of the Courtesan, Sarah Dunant's epic novel of life in Renaissance Italy. Escaping the sack of Rome in 1527, with their stomachs churning on the jewels they have swallowed, the courtesan Fiammetta and her dwarf companion, Bucino, head for Venice, the shimmering city born out of water to become a miracle of east-west trade: rich and rancid, pious and profitable, beautiful and squalid. With a mix of courage and cunning they infiltrate Venetian society. Together they make the perfect partnership: the sharp-tongued, sharp-witted dwarf, and his vibrant mistress, trained from birth to charm, entertain, and satisfy men who have the money to support her. Yet as their fortunes rise, this perfect partnership comes under threat, from the searing passion of a lover who wants more than his allotted nights to the attentions of an admiring Turk in search of human novelties for his sultan's court. But Fiammetta and Bucino's greatest challenge comes from a young crippled woman, a blind healer who insinuates herself into their lives and hearts with devastating consequences for them all.A story of desire and deception, sin and religion, loyalty and friendship, In the Company of the Courtesan paints a portrait of one of the world's greatest cities at its most potent moment in history: It is a picture that remains vivid long after the final page.From the Hardcover edition.

People go missing every day. They walk out of their front doors and out of their lives into the silence of cold statistics. For those left behind it is the cruelest of long good-byes.Anna, a self-sufficient and reliable single mother, packs her bags one day for a short vacation to Italy. She leaves her beloved six-year-old daughter, Lily, at home in London with good friends. But when Anna doesn't return, everyone begins to make excuses until the likelihood that she might not come back becomes chillingly clear. And the people who thought they knew Anna best realize they don't know her at all. How could she leave her daughter? Why doesn't she call? Is she enjoying a romantic tryst with a secret lover? Or has she been abducted or even killed by a disturbed stranger? Did that person you loved so much and thought you knew so well did they simply choose to go and not come back? Or did someone do the choosing for them?Dunant, a masterly British suspense writer, skillfully interweaves parallel narratives that are stretched taut with tension even as they raise difficult questions about motherhood, friendship, and accountability. In this compelling hybrid of sophisticated crime writing and modern women's fiction, Dunant challenges and unnerves us as she redefines the boundaries of the psychological thriller.Missing rubs the soul raw. In place of answers all you have is your imagination.

Roman historique En pleine Renaissance italienne, le nouveau roman de Sarah Dunant nous plonge au cœur des passions et des révoltes qui vont secouer la vie d’un couvent. Un huis clos troublant à l’atmosphère sulfureuse et aux subtiles résonances contemporaines. Ferrara, 1570. Au couvent de Santa Caterina, nombreuses sont les femmes nobles mariées au Christ à défaut d’avoir trouvé un époux à l’extérieur. Mais une nouvelle novice n’est pas prête à se laisser soumettre : Serafina, seize ans à peine, enfermée par sa famille à cause de sa liaison avec un simple chanteur. De peur qu’elle n’ébranle l’harmonie de la communauté, l’abbesse Chiara la place sous la responsabilité de Sœur Zuana, une infirmière érudite, réfugiée ici à la mort de son père, qui soigne tous les maux du couvent, de la peste à la mélancolie en passant par les blessures que les sœurs s’infligent à elles-mêmes… Parmi les novices partisanes d’une piété encore plus stricte ou celles en proie à d’étranges visions et extases mystiques, Serafina et Zuana tissent une relation qui va sauver la jeune fille révoltée. Et bientôt, tandis que les forces de la Contre Réforme grondent au-dehors pour durcir les règles en vigueur dans les couvents, Serafina devient l’enjeu de conflits qui menacent de bouleverser à jamais la vie des sœurs… [babelio.com]

"It's been a year since Poppy's husband, Jack, was brutally murdered during his morning run through Manhattan's Riverside Park. In the immediate aftermath, Poppy spiraled into an oblivion of grief, disappearing for several days only to turn up ragged and confused wearing a tight red dress she didn't recognize. What happened to Poppy during those lost days? And more importantly, what happened to Jack? The case was never solved, and Poppy has finally begun to move on. But those lost days have never stopped haunting her. Poppy starts having nightmares and blackouts--there are periods of time she can't remember, and she's unable to tell the difference between what is real and what she's imagining. When she begins to sense that someone is following her, Poppy is plunged into a game of cat and mouse, determined to unravel the mystery around her husband's death" --

By the end of the fifteenth century, the beauty and creativity of Italy are matched by its brutality and corruption, nowhere more than in Rome and inside the Church. When Cardinal Rodrigo Borgia buys his way into the papacy as Alexander VI, he is defined not just by his wealth or his passionate love for his illegitimate children, but by his blood: He is a Spanish Pope in a city run by Italians. If the Borgias are to triumph, this charismatic, consummate politician with a huge appetite for life, women, and power must use papacy and family -- in particular, his eldest son, Cesare, and his daughter Lucrezia -- in order to succeed.

Au début du XVIe siècle, à Florence, Alessandra Cecchi coule des jours heureux au milieu de tableaux de maître et de la fortune familiale. Mais bientôt les choses se gâtent. La doxa condamne le beau, la culture, tout ce qui permet l'éveil des consciences. Et les Français approchent ...